Get curated editors’ picks, peeks behind the scenes, film recommendations and more.
Forough Farrokhzad’s The House Is Black (1962) is a difficult film, a documentary that starts out telling the viewer that what is to come is horrifying, yet must be seen. The images of leprosy are indeed overwhelming and disturbing. Farrokhzad’s aim, however, is not to shock. Rather, she expressly wants us to see this ‘vision of pain no caring human being should ignore’ so that its ugliness can be erased. Although The House Is Black went relatively unnoticed on its release, it now often appears on critics’ lists of top documentaries, such as the BFI’s 50 Greatest Documentaries of All Time, and is widely considered one of the most influential Iranian films.
Director: Forough Farrokhzad
Producer: Ebrahim Golestan
Building ‘bigger and better’ has pushed cosmology forward. Can it take it any further?
How Hokusai’s Great Wave emerged from Japan’s isolation to become a global icon
Watch the elegant flow of a sheep herd, seen from the sky above Israel
How would a piano sound on Mars? Embark on an interplanetary sonic journey
Emergency first responders meet chaos with dissonant calm in this gripping short
The ancient world
Not a lost kingdom but a parable – how to read Athens in Plato’s story of Atlantis
Meaning and the good life
Albert Camus built a philosophy of humanity on a foundation of absurdity
When two punk bands came to a psychiatric hospital, beautiful chaos ensued
Design and fashion
Gear up for a stylish celebration of vintage motorcycle design