Growing home

22 minutes

Home stream

11 minutes

My little piece of privacy

3 minutes

Three pioneers who predicted climate change

5 minutes

Peter and Ben

10 minutes

A Syrian refugee makes his barbershop a haven in Jordan’s largest refugee camp

Samer Al Sees is one of roughly 12 million Syrians displaced since the Syrian Civil War broke out in 2011. He fled his home city of Daraa with his wife and young son after a bomb landed near their house. Although his new home – Jordan’s sprawling Zaatari Refugee Camp – is just 10 miles from the Syrian border, the uncertain existence in the camp seems an eternity from his life in Daraa, where he owned a barbershop and took pride in his garden. In this dusty, unwelcoming place, Samer and his fellow refugees strive for day-to-day normality and structure, often through the rhythms and routines of his makeshift barbershop, while dreaming of one day returning home.

Director: Faisal Attrache

Producer: Heidi Hathaway

A street-level view of homelessness from a woman living through it

Many portraits of homelessness still end up ‘othering’ people, despite their storytellers’ best intentions. The UK-based Italian filmmaker Giulia Gandini wanted to try something different, aiming to capture an account of homelessness without imposing her own biases. Lily Blackham had been living on London’s streets for 18 months after escaping an abusive relationship when Gandini gave her an iPhone to chronicle her experiences over three days and tell her own story. The resulting short film, Home Stream, is a touching first-person glimpse into the many practical and emotional complications of homelessness and rough sleeping – from feeling invisible to passersby to not having money for sanitary pads. In doing so, Gandini and Blackham build a deeply humanising portrait of a life on the margins, replete with heartache and struggle, but not without moments of joy.

Via Directors Notes

Directors: Giulia Gandini and Lily Blackham

A curtain that twitches as people walk by creates a delightful paradox of privacy

In 2010, the German artist Niklas Roy embarked on a project to take back a small slice of privacy in an era and in a place – his Berlin workshop – where it can be quite hard to come by. The resulting installation, My Little Piece of Privacy, comprised a surveillance camera, ‘computer vision’ software and a small, motorised curtain, which followed pedestrians as they walked past his storefront. As you might imagine, the moving curtain had an inverse (and amusing) effect, causing passersby to spend far more time in front of his window than they would have otherwise. This short video, featuring scenes from the installation set to a retro arcade-inspired score, makes a highly entertaining spectacle out of Roy’s clever provocation of privacy.

Via Colossal

Director: Niklas Roy

Score: Holy Konni

Climate change science is centuries, not decades old, and it was pioneered by a woman

The notion that human activities might be warming the planet started coming into focus in the 1960s and ’70s, before a scientific consensus emerged in the 1980s and ’90s. But the rough outlines of the science surrounding humanity’s greatest contemporary threat has a surprising, little-known history that dates back roughly two centuries. This brief animation from BBC Ideas traces our modern understanding of the greenhouse effect through the work of three pioneering scientists, beginning with the US scientist and women’s rights activist Eunice Foote, whose 1856 work on the heat-trapping effects of CO2 was buried for decades before being rediscovered in 2010.

Video by BBC Ideas

Animator: Peter Caires

After 30 years of solitude, Peter forms an unlikely friendship with a fellow loner

‘I had left my flock, and Ben had left his.’

After taking a walk through a remote Welsh valley, Peter committed himself to a life there, and disconnected from the outside world. In doing so, he found a solitary inner peace – a peace he maintained for nearly three decades, until, one day, he stumbled upon a lamb that had been left for dead. Finding kinship with the fellow ‘dropout’, Peter took the abandoned creature home and named him Ben. The short Peter and Ben (2007) by the UK filmmaker Pinny Grylls captures the duo’s relationship three years after their chance meeting, as Peter attempts to return Ben to the wild. With a melancholic piano score and sweeping views of the Welsh countryside, her touching film lends a lyrical beauty to this tale of unlikely connection and camaraderie between outsiders.

Director: Pinny Grylls

Producer: Victoria Cameron

Score: Will Hood

A Syrian refugee makes his barbershop a haven in Jordan’s largest refugee camp

Samer Al Sees is one of roughly 12 million Syrians displaced since the Syrian Civil War broke out in 2011. He fled his home city of Daraa with his wife and young son after a bomb landed near their house. Although his new home – Jordan’s sprawling Zaatari Refugee Camp – is just 10 miles from the Syrian border, the uncertain existence in the camp seems an eternity from his life in Daraa, where he owned a barbershop and took pride in his garden. In this dusty, unwelcoming place, Samer and his fellow refugees strive for day-to-day normality and structure, often through the rhythms and routines of his makeshift barbershop, while dreaming of one day returning home.

Director: Faisal Attrache

Producer: Heidi Hathaway

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Children playing in the remains of King Henry’s Sans-Souci Palace in Milot, Haiti, 8 September 2017. Photo by Andres Martinez Casares/Reuters

Essay/
Nations and empires
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Marlene L Daut

An Indian worker shows a European man a sample of opium taken from one of the large clay pots in the foreground. Photo by Bourne and Shepherd/British Library

Essay/
Global history
From vice to crime

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Diana S Kim