Support Aeon this December

Every donation makes a difference.

Please Give Now

‘We need your support to sustain Aeon in 2019. Your end-of-year gift will help us spread knowledge and promote a cosmopolitan worldview.’

Brigid Hains, Editorial Director

Please Give Now

Jellyfish lake

4 minutes

The big city

6 minutes

Spacesavers

4 minutes

Can food nourish your soul?

2 minutes

Birth control your own adventure

5 minutes

Nearly stingless jellyfish on a remote Pacific island are a wonder of evolution

On an uninhabited island in Palau in the western Pacific Ocean, beneath the surface of a lake, there is a hidden world of seemingly alien life. Translucent amorphous creatures glide through the clear water, float lazily just beneath the surface of the lake, or drift along with the current. Thousands of years ago, these jellyfish were trapped in a natural basin on the island when the ocean receded. With time, they evolved into a new species that no longer stings. In Jellyfish Lake, the filmmaker Sarosh Jacob dives into the world of these wondrous creatures, and swims among them, recording their slow, mesmerising migrations.

Director: Sarosh Jacob

Meet your single-celled neighbours – a microbial tour of a metropolis

From an anthropocentric point of view, big cities are one of humanity’s most majestic achievements: massive, self-contained ecosystems built by, catering to, and inhabited by huge numbers of people. But you could forgive microorganisms for claiming that cities are actually theirs. After all, they outnumber humans in urban environments by the trillions. They also affect cityscapes in a far more tangible way: city planners and epidemiologists shape urban environments with pathogenic threats in mind. 

For his experimental short film The Big City, the Canadian filmmaker Evan Luchkow put the hidden lifeforms of downtown Vancouver’s main roads under the literal microscope, documenting the various microbes he found to reveal, in his words, ‘the blurry boundary between human society and the natural world’. The result is an extraordinary and enlightening glimpse of the vast biodiversity with which we share our cities. 

Director: Evan Luchkow

The peculiar Boston tradition that (mostly) keeps the winter parking peace

After snowstorms in Boston, street parking tensions tend to rise, especially when car owners clear out spaces near their residences only to later find another driver has swiped their hard-earned spot. But walk the city’s streets in the wake of a blizzard, and you’ll notice a uniquely Bostonian visual language that aims to keep the parking peace – even if it isn’t always successful. In a decades-old winter tradition codified by a former mayor, residents in most Boston neighbourhoods are allowed to hold their spaces for up to 48 hours using everyday objects. The formerly Boston-based director Sarah Ginsburg explores the peculiar practice in her film Spacesavers. Shot during the winter of 2015 – a record-breaking season for snowfall – the wry observational short offers a distinctive vision of Boston’s winter streets where everything from lawn chairs to walkers and golf bags become ‘keep out’ signs.

Director: Sarah Ginsburg

Producer: Will Lennon

Liberation of the soul through diet – how a Jain ascetic lives

‘Soul requires spirituality. Soul does not require food.’

Nonviolence towards all forms of life is a cornerstone of Jainism, a nontheistic Indian religion that dates back to the 6th century BCE, and today has around 7 million followers. To Jainism’s strictest adherents, even a walk through the grass or drinking tea with honey can be a morally perilous proposition, given the soul-possessing living things, from plants to insects to microbes, that can be harmed in the process. Part of a video series on the intersection of food and spirituality by the Italian-born, London-based filmmaker Matan Rochlitz, this short features a Jain ascetic discussing how a restricted diet (mostly water and dry grains) guides his spiritually.

Director: Matan Rochlitz

Period drama: one woman’s journey through birth control

The multitude of female birth-control products on the market hardly means there’s a perfect option for everyone. From the combined oral contraceptive (commonly known as the Pill), to the IUD (intrauterine device, aka the coil) to the NuvaRing, the availability of choice can mask one major downside: for some, the side-effects of birth control are a problem in their own right. In her short film Birth Control Your Own Adventure, the Pakistani-American filmmaker Sindha Agha presents her personal journey through all the options, starting at age 11, when she was prescribed the Pill for the pain of endometriosis. Agha relates her struggle to find the least-worst option with witty visuals and a vivid design. In its intimate detail, the short is especially enlightening for those who don’t menstruate, prompting the question: what about male birth-control products?

Director: Sindha Agha

Nearly stingless jellyfish on a remote Pacific island are a wonder of evolution

On an uninhabited island in Palau in the western Pacific Ocean, beneath the surface of a lake, there is a hidden world of seemingly alien life. Translucent amorphous creatures glide through the clear water, float lazily just beneath the surface of the lake, or drift along with the current. Thousands of years ago, these jellyfish were trapped in a natural basin on the island when the ocean receded. With time, they evolved into a new species that no longer stings. In Jellyfish Lake, the filmmaker Sarosh Jacob dives into the world of these wondrous creatures, and swims among them, recording their slow, mesmerising migrations.

Director: Sarosh Jacob

Get Aeon straight
to your inbox
Join our newsletter
Aeon is not-for-profit
and free for everyone
Make a donation
Essay/
Space Exploration
Rules in space

If we don’t invent a legal framework for space colonisation the consequences could be catastrophic: the time to act is now

Marko Kovic

Essay/
Biology
Bee-brained

Are insects ‘philosophical zombies’ with no inner life? Close attention to their behaviours and moods suggests otherwise

Lars Chittka & Catherine Wilson