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In Kabul, the bustle of the city – shopping, work, conversation and play – takes place beneath a mysterious US military balloon that has hovered in the sky since 2009. Ominous yet somehow part of the landscape given its omnipresence, the balloon’s precise purpose and capabilities are not disclosed. Part of The Intercept’s Field of Vision documentary series, The Above is both an apt metaphor for the state of global surveillance, and an unsettling glimpse into the increasingly common experience of living with unfamiliar, unwelcome objects overhead.
Director: Kirsten Johnson
Producers: Kirsten Johnson, Marilyn Ness
Editor: Nels Bangerter
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Human rights and justice
Surreal, dazzling visuals form an Iranian expat’s tribute to defiance back home
10 minutes
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Language and linguistics
Do button-pushing dogs have something new to say about language?
9 minutes
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Values and beliefs
Why a single tree, uprooted in a typhoon, means so much to one man in Hanoi
7 minutes
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War and peace
Two Ukrainian boys’ summer unfolds just miles from the frontlines
22 minutes
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Computing and artificial intelligence
Why large language models are mysterious – even to their creators
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Fairness and equality
‘To my old master’ – a freed slave answers the request to return to his old plantation
7 minutes
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Ethics
Plato saw little value in privacy. How do his ideas hold up in the information age?
5 minutes
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Information and communication
‘Astonished and somewhat terrified’ – Victorians’ reactions to the phonograph
36 minutes
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Family life
One family’s harrowing escape from postwar Vietnam, told in a poignant metaphor
10 minutes