Uncle Thomas: accounting for the days

13 minutes

Gut hack

12 minutes

Sabine Hossenfelder: searching for beauty in mathematics

9 minutes

A small antelope horn

2 minutes

EXCLUSIVE

Conor and Kobe

6 minutes

A ‘poet of the everyday’: an animated ode to a beloved uncle with OCD

To the rest of her family, the Portuguese animator Regina Pessoa’s Uncle Thomas was ‘a nobody’, with his intricate obsessive-compulsive rituals preventing him from holding a steady job or starting a family. But to a young Pessoa, his obsessions – including hours spent daily on cleaning and grooming, and a preoccupation with numbers – were intriguing. Eventually, his talents and eccentricities would help set her on the path of becoming a celebrated animator, as he taught her how to draw the dimensions of a human body using charcoal sticks on the walls of her grandmother’s house.

Pessoa offers an artful tribute to her beloved late family member in her award-winning short film Uncle Thomas: Accounting for the Days. Working from a combination mixed media, stop-motion and hand-drawn animations, Pessoa mined memories and mementos of her uncle to construct the piece. The resulting film is touched with beauty and sadness, as it celebrates a life lived mostly in solitude, but not without love, and doesn’t downplay or romanticise the very real agonies of obsessive compulsive disorder.

When medicine offers no relief, a biohacker begins a radical self-experiment

In 2015, the US scientist, artist and self-described ‘biohacker’ Josiah Zayner undertook a controversial project to help resolve his lifelong gastrointestinal issues. The plan was to replace the vast colonies of microbiota on and inside his body via transplants from a healthy donor – and then document the proceedings. Although an accomplished biologist with a PhD in biophysics and two years as a NASA researcher under his belt, Zayner’s endeavour was frowned upon by much of the scientific community, with critics condemning the project for operating outside the normal boundaries of bioethics. Especially controversial was Zayner’s plan to self-administer a faecal transplant – a risky procedure usually reserved for potentially fatal conditions. In their documentary Gut Hack, the filmmakers Mario Furloni and Kate McLean follow Zayner’s fascinating, radical and not-for-the-squeamish quest for relief. In so doing, they also confront deeper issues of ethics and autonomy at the core of contemporary science.

Directors: Mario Furloni, Kate McLean

Producer: Laura Heberton

Against ‘beauty’ in science – how striving for elegance stifles progress

That there is an inherent ‘beauty’ and ‘elegance’ to the laws of nature is a view that permeates the field of physics. But, according to the German theoretical physicist Sabine Hossenfelder, the notion that the further you peer into reality, the easier the equation gets, has no basis in reality. Indeed, since the mid-20th-century, the maths of physics has become increasingly knotty, even as many physicists have continued to search for a path back to simplicity. In this interview with Robert Lawrence Kuhn for the PBS series Closer to Truth, Hossenfelder makes the case that this fixation on beauty isn’t just misguided – it’s stifling scientific progress.

Video by Closer to Truth

Sitting by the fire with a nomadic tribe, a physicist ponders the many shapes of wisdom

The Italian theoretical physicist Carlo Rovelli is a pioneer in the field of quantum gravity, and often thought of as one of the world’s foremost scientific thinkers. In this brief animation by James Siewert, which features narration from the Swazi-English actor Richard E Grant, Rovelli recalls communing with members of the Hadza tribe of northern Tanzania – one of the last hunter-gatherer societies on Earth. Sitting by the fire, thoughts of the peculiar trajectory of Homo sapiens and the many shapes of human wisdom flicker in his head, as he ponders the gaps, large and small, between his world and theirs.

Video by rubberband.

Animator: James Siewert

Website: Alexander

Grieving Kobe Bryant, Conor wonders: why do untimely celebrity deaths hit so hard?

‘It’s weird, like – I’m tearing up for someone I didn’t even know…’

Kobe Bryant’s death on 26 January 2020 in a helicopter crash, alongside his 13-year-old daughter Gianna and seven others, was met with public displays of mourning in the hours, weeks and months that followed. One of the most beloved basketball stars from a league with a global fanbase, the tragedy prompted innumerable tributes to the NBA legend, scrawled everywhere from the sidewalks of Los Angeles to the Chinese social media platform Weibo – alongside plenty of discussions and think-pieces about his complicated legacy, on and off the court.

This short documentary from the US filmmaker Derek Knowles is constructed from phone conversations between Knowles, his brother Conor and the siblings’ parents in the wake of Bryant’s death. Conor, the family’s biggest Bryant fan, meets the news with a distinct combination of shock, sadness and confusion over how the death of someone he never truly knew could affect him so powerfully. The result is a poignant and intricate reflection on celebrity, mourning and death, crafted from just a few intimate words between family members.

Director: Derek Knowles

A ‘poet of the everyday’: an animated ode to a beloved uncle with OCD

To the rest of her family, the Portuguese animator Regina Pessoa’s Uncle Thomas was ‘a nobody’, with his intricate obsessive-compulsive rituals preventing him from holding a steady job or starting a family. But to a young Pessoa, his obsessions – including hours spent daily on cleaning and grooming, and a preoccupation with numbers – were intriguing. Eventually, his talents and eccentricities would help set her on the path of becoming a celebrated animator, as he taught her how to draw the dimensions of a human body using charcoal sticks on the walls of her grandmother’s house.

Pessoa offers an artful tribute to her beloved late family member in her award-winning short film Uncle Thomas: Accounting for the Days. Working from a combination mixed media, stop-motion and hand-drawn animations, Pessoa mined memories and mementos of her uncle to construct the piece. The resulting film is touched with beauty and sadness, as it celebrates a life lived mostly in solitude, but not without love, and doesn’t downplay or romanticise the very real agonies of obsessive compulsive disorder.

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Sehnsucht (‘Longing’) by the Nederlands Dans Theater at Sadler’s Wells, London, in 2014. Photo by Leo Mason/Popperfoto/Getty

Essay/
Dance and theatre
To the core

A devastating loss can shatter the façade we put up for others, exposing our deepest, rawest self. A work of art can do the same

Julia F Christensen