Pioneer axe

11 minutes

Random events

31 minutes

Las del diente

5 minutes

The river

4 minutes

The story of government cheese

7 minutes

Aeon for Friends

Find out more

Forged by craft: the last axes made by eye and muscle, before automation took over

At the dawn of the 20th century, Oakland in Maine was part of New England’s thriving manufacturing economy, and was known as the axe-making capital of the world. But by the 1960s, the rise of mass and foreign production had forced almost a dozen Oakland axe manufacturers to close up shop. Filmed in 1964 by the Maine-based photographer and filmmaker Peter Vogt, Pioneer Axe documents the forging of fine axes at Oakland’s last operating workshop, Emerson & Stevens, just months before it, too, was forced out of business. Shot on 35mm black-and-white film, the short captures each stage of the process as this small factory churns out blades with swift efficiency by melding human and machine labour. With its focus on both the craft and the market undercurrents threatening it, the film examines forces of automation and international trade that remain extremely relevant in the US economy today.

Via Digg

Director: Peter Vogt

Aeon for Friends

Find out more

A classic film finds order in randomness with the aid of some improbably elaborate sets

The Physical Science Study Committee (PSSC) was formed in 1956 at the Massachusetts Institute of Technology with the mission to create science-education materials for US high-school classrooms. In this PSSC film from 1961, the physics professors J N Patterson Hume and Donald Ivey of the University of Toronto deploy their expertise – as well as some seriously elaborate sets – to demonstrate how, with enough data, highly predictable patterns can emerge from unpredictable events. This version of Random Events has been visually and aurally enhanced by the Aeon Video team. For more elaborate educational wizardry from the PSSC, watch Frames of Reference.

Director: John Friedman

Visual restoration: Tamur Qutab

Audio restoration: Adam D’Arpino

Aeon for Friends

Find out more

A magical mystery trip through the complex connections in women’s bodies

‘Girls are weird. Babies are weird. Bodies are extra weird,’ says the Spanish animator Ana Pérez López. In Las del Diente, she uses excerpts from candid conversations with three women as a canvas for a refreshingly honest and unapologetic meditation on modern womanhood. The anecdotes are enriched with hallucinatory animated sequences and percussive interludes, transforming their conversations about social pressure and biological anomalies into a surreal celebration of being female, in all its multitudes – from having your body treated like a business to contending with deeply conflicted feelings about having children.

Aeon for Friends

Find out more

‘Where is it that we are?’ A poet conjures a journey along the waters of the afterlife

The short film The River evocatively adapts the US spoken-word poet Anis Mojgani’s performance of ‘To Where the Trees Grow Tall’ from his book In the Pockets of Small Gods (2018). Mojgani invokes a surreal scene of confusion, mystery and casual conversations between newly deceased strangers in a piece that envisions its listeners in their coffins, ‘clanging down the river, with all the other coffins in the water of the next world’. The US filmmaker Kristian Melom pairs this performance with split-screen images of the poet navigating a cityscape and a journey down a serenely flowing river. Through Mojgani’s words and Melom’s images, death – like life – is rendered as at once mundane and deeply enigmatic.

Director: Kristian Melom

Producer: AIR Serenbe

Executive Producer: J Brandon Hinman

Aeon for Friends

Find out more

Before ‘government cheese’ was a punchline, it was an experimental economic plan

Today, the term ‘government cheese’ is perhaps most commonly associated with the late US comedian Chris Farley and his 1993 Saturday Night Live sketch in which a motivational speaker warns a couple of wayward teens that, if they don’t get their act together, they’ll soon be ‘living in a van down by the river’ on a steady diet of the stuff. But before it became well-worn comedy fodder, the dairy surplus was the result of a 1977 US government initiative to support farmers and assure the country’s control of its own food supply. However, as this charming (or irritating, depending on your lactose tolerance) cheese-filled explainer from NPR’s Planet Money details, the whole endeavour went a bit haywire. And although the ‘government cheese’ programme effectively ended in the 1990s, its legacy has left the US a bit milk-bloated ever since.

Producers: Bronson Acuri, Ben Naddaff-Hafrey

Website: Planet Money

Aeon for Friends

Find out more

Forged by craft: the last axes made by eye and muscle, before automation took over

At the dawn of the 20th century, Oakland in Maine was part of New England’s thriving manufacturing economy, and was known as the axe-making capital of the world. But by the 1960s, the rise of mass and foreign production had forced almost a dozen Oakland axe manufacturers to close up shop. Filmed in 1964 by the Maine-based photographer and filmmaker Peter Vogt, Pioneer Axe documents the forging of fine axes at Oakland’s last operating workshop, Emerson & Stevens, just months before it, too, was forced out of business. Shot on 35mm black-and-white film, the short captures each stage of the process as this small factory churns out blades with swift efficiency by melding human and machine labour. With its focus on both the craft and the market undercurrents threatening it, the film examines forces of automation and international trade that remain extremely relevant in the US economy today.

Via Digg

Director: Peter Vogt

Get Aeon straight
to your inbox
Join our newsletter
Aeon is not-for-profit
and free for everyone
Make a donation
Essay/
Film and visual culture
Celebrity matters

As aspirational avatars, idolised icons and vessels of collective memory, celebrities permeate all aspects of modern life

Holly Grout

Essay/
Thinkers and theories
Impossible choices

Learning from his family, his animals and his work with tribal people, Gregory Bateson saw the creative potential of paradox

Tim Parks