Get curated editors’ picks, peeks behind the scenes, film recommendations and more.
‘Just like the bad things, the beautiful things are temporary too.’
Roberto Olivera was raised in poverty in southern California, where he worked the tomato fields alongside his mother and abusive stepfather, migrant workers from Mexico. Now in his 60s, financially successful and with a family of his own, Olivera has grown to understand the meaning behind his mother’s frequent refrain: ‘La vida es sufrir’ (‘Life is suffering’). With an understated melancholy, Field Song pairs Olivera’s poignant reflections with views of southern California’s agricultural landscapes, presenting hardship as both temporary and timeless.
video
Sports and games
Havana’s streets become racetracks in this exhilarating portrait of children at play
5 minutes
video
Spirituality
Through rituals of prayer, a monk cultivates a quietly radical concept of freedom
4 minutes
video
Fairness and equality
‘To my old master’ – a freed slave answers the request to return to his old plantation
7 minutes
video
Design and fashion
A ceramicist puts her own bawdy spin on the folk language of pottery
14 minutes
video
Animals and humans
Villagers struggle to keep their beloved, endangered ape population afloat
19 minutes
video
Art
Radical doodles – how ‘exquisite corpse’ games embodied the Surrealist movement
15 minutes
video
Language and linguistics
Why Susan listens to recordings of herself speaking a language she no longer remembers
5 minutes
video
Ethics
Plato saw little value in privacy. How do his ideas hold up in the information age?
5 minutes
video
Information and communication
‘Astonished and somewhat terrified’ – Victorians’ reactions to the phonograph
36 minutes