Get curated editors’ picks, peeks behind the scenes, film recommendations and more.
‘Just like the bad things, the beautiful things are temporary too.’
Roberto Olivera was raised in poverty in southern California, where he worked the tomato fields alongside his mother and abusive stepfather, migrant workers from Mexico. Now in his 60s, financially successful and with a family of his own, Olivera has grown to understand the meaning behind his mother’s frequent refrain: ‘La vida es sufrir’ (‘Life is suffering’). With an understated melancholy, Field Song pairs Olivera’s poignant reflections with views of southern California’s agricultural landscapes, presenting hardship as both temporary and timeless.
video
Art
Background music was the radical invention of a trailblazing composer
16 minutes
video
Anthropology
For an Amazonian female shaman, ayahuasca ceremonies are a rite and a business
30 minutes
video
Metaphysics
What do past, present and future mean to a philosopher of time?
54 minutes
video
Gender
A filmmaker responds to Lars von Trier’s call for a new muse with a unique application
16 minutes
video
Computing and artificial intelligence
Why large language models are mysterious – even to their creators
8 minutes
video
Sports and games
Havana’s streets become racetracks in this exhilarating portrait of children at play
5 minutes
video
Spirituality
Through rituals of prayer, a monk cultivates a quietly radical concept of freedom
4 minutes
video
Fairness and equality
‘To my old master’ – a freed slave answers the request to return to his old plantation
7 minutes
video
Design and fashion
A ceramicist puts her own bawdy spin on the folk language of pottery
14 minutes