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Warning: this film features rapidly flashing images that can be distressing to photosensitive viewers.
‘What prevents me from supposing that this table either vanishes or alters its shape when no one is observing it, and then when someone looks at it again, changes back? But one feels like saying – who is going to suppose such a thing?’ – Ludwig Wittgenstein in On Certainty (1969)
Inspired by the Austrian philosopher’s posthumously published words above on the limits of human perception to account for the outside world, the UK filmmaker Paul Bush constructed the experimental short Furniture Poetry (1999). The stop-motion animation brings to life a universe where fruits, furniture and tableware shift colour and shape when we’re not looking. The result is a simultaneously jarring and amusing visual poem – a dizzying, madcap meditation on our uncertain reality and the limits of knowledge.
Director: Paul Bush
Water, salt and music form a mesmerising visualisation of sound waves
Film and visual culture
A Palme d’Or-winning animation toys with the way our eyes perceive light
How a self-taught autistic artist mines creativity from life’s endless variations
Nature and landscape
An afternoon with hobbyist diamond miners in Arkansas is a thing of rare beauty
What can a Kurosawa classic tell us about reality, knowledge and truth?
Witness the majesty of moths taking flight at 6,000 frames per second
Animals and humans
A bluesy ballad tells the story of Old Bet, the first circus elephant in the US
Meaning and the good life
To know or not to know? Lillian weighs the costs of a life-changing genetic test
Information and communication
There are many ways to make a flat map of the world – each of them a unique distortion