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EXCLUSIVE

Hearing Madge

10 minutes

Birth control your own adventure

5 minutes

The acrobatic fly

3 minutes

What the psychic saw

5 minutes

Sketches

2 minutes

Pressing the ashes of the dead onto records: odd novelty or tender remembrance?

When it first made headlines in 2010, Jason Leach’s UK-based company And Vinyly – which presses the ashes of the deceased into vinyl records for loved ones wishing to hold onto their memory – appeared to be something of a macabre novelty. But there might be more to preserving the departed (quite literally) on records than first meets the eye – and ear. Hearing Madge explores how Leach’s venture was given new meaning when he was approached by a man looking to save his mother’s recollections that he had recorded shortly before her death. Surprisingly touching, Andrea Lewis’s short documentary is both a profile of an unusual business and a thought-provoking contemplation of the ways we chose to remember the dead.

Director: Andrea Lewis

Period drama: one woman’s journey through birth control

The multitude of female birth-control products on the market hardly means there’s a perfect option for everyone. From the combined oral contraceptive (commonly known as the Pill), to the IUD (intrauterine device, aka the coil) to the NuvaRing, the availability of choice can mask one major downside: for some, the side-effects of birth control are a problem in their own right. In her short film Birth Control Your Own Adventure, the Pakistani-American filmmaker Sindha Agha presents her personal journey through all the options, starting at age 11, when she was prescribed the Pill for the pain of endometriosis. Agha relates her struggle to find the least-worst option with witty visuals and a vivid design. In its intimate detail, the short is especially enlightening for those who don’t menstruate, prompting the question: what about male birth-control products?

Director: Sindha Agha

Feet of strength! Spotlight on the amazing agility of houseflies

Pesky though they might be, houseflies are remarkable biological specimens – strong enough to carry up to half their own body weight and, as you’ve likely noticed when trying to swat one, exceptionally quick and nimble. For his 1910 short The Acrobatic Fly, the pioneering British naturalist and filmmaker F Percy Smith put the strength and dexterity of houseflies on display, filming one as it juggled items including a cork and a miniature barbell. Perhaps most impressive, however, is a sequence that features a fly rotating a ball with another fly balancing atop it, like a tiny circus act. For more slightly creepy early film fun from F Percy Smith, watch To Demonstrate How Spiders Fly.

Director: F Percy Smith

The psychic, the skeptic and the life-and-death prophecy that came true

When the US filmmaker Matthew Palmer’s mother was 28 and childless, she received an unsettling prediction from a psychic: she would have a son, and her husband would die when their son was 13, but it would be ‘okay’. Uninterested in having children and skeptical of psychics, she wrote it off for a time. But when she finally did have a son following a nearly fatal and life-altering case of pneumonia, the prediction creeped back into her mind. She then often used the story, half-jokingly, to warn her husband about his smoking habit. And when Palmer was 13, his father died suddenly of cardiac arrest. Constructed from old home videos and phone conversations with his mother, Palmer’s deeply personal film What the Psychic Saw reflects on his father’s death in the context of the uncanny prediction. An unusual meditation on grief, the short offers no easy answer for the psychic’s eerily accurate words, or whether unexpectedly losing a close, beloved family member can ever really feel ‘okay’.

Video by Matthew Palmer

Friendly tower cranes, grinning street signs, and other adventures in augmented reality

In Sketches, the Russian graphic illustrator and motion designer Vladimir Tomin stitches together a series of short, reality-warping vignettes. Starting with mundane views of streets, stairwells and building façades, Tomin uses visual effects to manipulate each scene in surprising and subversive ways, suggesting a hackable digital universe that can be endlessly manipulated. In our emerging age of deep fakes, it can also be read as a pressing reminder of the power of even relatively simple editing technologies to augment video in convincing ways – or simply as the work of a master of the digital surreal. For more uncanny visual wizardry from Tomin, watch Outside.

Video by Vladimir Tomin

Pressing the ashes of the dead onto records: odd novelty or tender remembrance?

When it first made headlines in 2010, Jason Leach’s UK-based company And Vinyly – which presses the ashes of the deceased into vinyl records for loved ones wishing to hold onto their memory – appeared to be something of a macabre novelty. But there might be more to preserving the departed (quite literally) on records than first meets the eye – and ear. Hearing Madge explores how Leach’s venture was given new meaning when he was approached by a man looking to save his mother’s recollections that he had recorded shortly before her death. Surprisingly touching, Andrea Lewis’s short documentary is both a profile of an unusual business and a thought-provoking contemplation of the ways we chose to remember the dead.

Director: Andrea Lewis

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Essay/
Cognition & Intelligence
The broad, ragged cut

Aptitude and IQ tests are used to distinguish those young people who deserve a chance from those who do not. Do they work?

Elizabeth Svoboda

Essay/
Social Psychology
Make up your mind(s)!

A pair of cognitive scientists, married for half a century, explain why two argumentative heads can be better than one

Uta Frith & Chris Frith