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Created using a decomposing 35mm print of the crime drama The Bells (1926), the experimental short Light Is Calling (2004) depicts a dreamy encounter between a soldier and a mysterious woman. With images that reveal themselves only to distort and disappear into the decaying amber-tinted nitrate, the New York-based filmmaker Bill Morrison – known for his use of found materials – invites viewers to meditate on the fleeting nature of all things physical and emotional, while a minimalistic violin score suffuses the century-old images with a wistful, haunting beauty.
Edward Hopper came of age with cinema. As an artist, he left a lasting mark on it
Teaching and learning
Ronald grew up in a New York City library. It was as strange and wondrous as it sounds
An unvarnished, poetic account of a new mother’s struggle to breastfeed
The ancient world
What did the Rosetta Stone’s inscription actually communicate?
Why making if-then connections might be the key to consciousness
The cast of ‘misfit toys’ who keep life on an idyllic tourist island afloat
Ageing and death
When his elderly parents make a suicide pact, Doron struggles to accept their choice
Biography and memoir
What Akiko saw at the centre of the Hiroshima blast, and the indelible mark it left
To understand the limits of human senses, look to the wild world of animal cognition