Outerborough

9 minutes

Home stream

11 minutes

My little piece of privacy

3 minutes

Three pioneers who predicted climate change

5 minutes

Peter and Ben

10 minutes

Racing through time on a Brooklyn Bridge trolley ride in 1899

Some of the earliest documentary films were travelogues that offered experiences of places that viewers might never get to visit for themselves. In Outerborough, the US filmmaker and artist Bill Morrison repurposes and reimagines an early example of the genre – Across the Brooklyn Bridge (1899) – to give ‘modern audiences [a] similarly rarefied view we can no longer experience’. As Morrison notes in describing his work: ‘Not only has the cityscape changed over the past century, but also, no train crosses the bridge anymore, and no vehicle can travel over on its median as that trolley did. The unique central perspective lends itself to abstraction and time travel: the journey from one side of the East River to the other becoming a unit of both time and space…’ Commissioned by the Museum of Modern Art in New York for its 2005 reopening, the short film features a restored version and the original film, side by side. Juxtaposing the two frames and adding a frenetic, original score that yields an even greater sense of momentum, Morrison transforms the footage into something kinetic and enigmatic – an experiment in movement as a way of experiencing history.

Director: Bill Morrison

Composer: Todd Reynolds

A street-level view of homelessness from a woman living through it

Many portraits of homelessness still end up ‘othering’ people, despite their storytellers’ best intentions. The UK-based Italian filmmaker Giulia Gandini wanted to try something different, aiming to capture an account of homelessness without imposing her own biases. Lily Blackham had been living on London’s streets for 18 months after escaping an abusive relationship when Gandini gave her an iPhone to chronicle her experiences over three days and tell her own story. The resulting short film, Home Stream, is a touching first-person glimpse into the many practical and emotional complications of homelessness and rough sleeping – from feeling invisible to passersby to not having money for sanitary pads. In doing so, Gandini and Blackham build a deeply humanising portrait of a life on the margins, replete with heartache and struggle, but not without moments of joy.

Via Directors Notes

Directors: Giulia Gandini and Lily Blackham

A curtain that twitches as people walk by creates a delightful paradox of privacy

In 2010, the German artist Niklas Roy embarked on a project to take back a small slice of privacy in an era and in a place – his Berlin workshop – where it can be quite hard to come by. The resulting installation, My Little Piece of Privacy, comprised a surveillance camera, ‘computer vision’ software and a small, motorised curtain, which followed pedestrians as they walked past his storefront. As you might imagine, the moving curtain had an inverse (and amusing) effect, causing passersby to spend far more time in front of his window than they would have otherwise. This short video, featuring scenes from the installation set to a retro arcade-inspired score, makes a highly entertaining spectacle out of Roy’s clever provocation of privacy.

Via Colossal

Director: Niklas Roy

Score: Holy Konni

Climate change science is centuries, not decades old, and it was pioneered by a woman

The notion that human activities might be warming the planet started coming into focus in the 1960s and ’70s, before a scientific consensus emerged in the 1980s and ’90s. But the rough outlines of the science surrounding humanity’s greatest contemporary threat has a surprising, little-known history that dates back roughly two centuries. This brief animation from BBC Ideas traces our modern understanding of the greenhouse effect through the work of three pioneering scientists, beginning with the US scientist and women’s rights activist Eunice Foote, whose 1856 work on the heat-trapping effects of CO2 was buried for decades before being rediscovered in 2010.

Video by BBC Ideas

Animator: Peter Caires

After 30 years of solitude, Peter forms an unlikely friendship with a fellow loner

‘I had left my flock, and Ben had left his.’

After taking a walk through a remote Welsh valley, Peter committed himself to a life there, and disconnected from the outside world. In doing so, he found a solitary inner peace – a peace he maintained for nearly three decades, until, one day, he stumbled upon a lamb that had been left for dead. Finding kinship with the fellow ‘dropout’, Peter took the abandoned creature home and named him Ben. The short Peter and Ben (2007) by the UK filmmaker Pinny Grylls captures the duo’s relationship three years after their chance meeting, as Peter attempts to return Ben to the wild. With a melancholic piano score and sweeping views of the Welsh countryside, her touching film lends a lyrical beauty to this tale of unlikely connection and camaraderie between outsiders.

Director: Pinny Grylls

Producer: Victoria Cameron

Score: Will Hood

Racing through time on a Brooklyn Bridge trolley ride in 1899

Some of the earliest documentary films were travelogues that offered experiences of places that viewers might never get to visit for themselves. In Outerborough, the US filmmaker and artist Bill Morrison repurposes and reimagines an early example of the genre – Across the Brooklyn Bridge (1899) – to give ‘modern audiences [a] similarly rarefied view we can no longer experience’. As Morrison notes in describing his work: ‘Not only has the cityscape changed over the past century, but also, no train crosses the bridge anymore, and no vehicle can travel over on its median as that trolley did. The unique central perspective lends itself to abstraction and time travel: the journey from one side of the East River to the other becoming a unit of both time and space…’ Commissioned by the Museum of Modern Art in New York for its 2005 reopening, the short film features a restored version and the original film, side by side. Juxtaposing the two frames and adding a frenetic, original score that yields an even greater sense of momentum, Morrison transforms the footage into something kinetic and enigmatic – an experiment in movement as a way of experiencing history.

Director: Bill Morrison

Composer: Todd Reynolds

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Detail from Sunset (Zarathustra), 1917 by Christian Rohlfs. Landesmuseum Oldenburg, Germany. Photo by AKG

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