For his short film Liza, the French animator Bastien Dupriez aimed to create ‘a kind of visual transcription’ of the George Gershwin song Liza (All the Clouds’ll Roll Away) (1929), as performed by the French musician Jean-Michel Pilc. As the rollicking jazz piano builds, the frame splashes with abstract shapes and colours, as well as hints of human forms. The resulting effect is of visuals built to accompany and respond to the mood of the music, rather than the much more familiar inverse experience. Beyond serving as a mesmerising slice of audiovisual eye candy – and it certainly is that – the piece also provokes a bevy of intriguing questions about our multisensory experience of art.
Director: Bastien Dupriez
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History of science
Insect aesthetics – long viewed as pests, in the 16th century bugs became beautiful
8 minutes
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Music
A riveting audiovisual dive into what makes sounds harmonious, or not
28 minutes
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Nature and landscape
After independence, Mexico was in search of identity. These paintings offered a blueprint
15 minutes
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Progress and modernity
Moving from Tibet to Beijing, Drolma reconciles big dreams with harsh realities
31 minutes
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Mathematics
Spiral into the ‘golden ratio’ – and separate the myths from the maths
4 minutes
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Art
A young Rockefeller collects art on a fateful journey to New Guinea
7 minutes
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Architecture
A lush tour of Fallingwater – the Frank Lloyd Wright design that changed architecture
14 minutes
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Art
Defying classification, fantastical artworks reframe the racism of Carl Linnaeus
8 minutes
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Film and visual culture
Space and time expand, contract and combust in this propulsive animation
5 minutes