For his short film Liza, the French animator Bastien Dupriez aimed to create ‘a kind of visual transcription’ of the George Gershwin song Liza (All the Clouds’ll Roll Away) (1929), as performed by the French musician Jean-Michel Pilc. As the rollicking jazz piano builds, the frame splashes with abstract shapes and colours, as well as hints of human forms. The resulting effect is of visuals built to accompany and respond to the mood of the music, rather than the much more familiar inverse experience. Beyond serving as a mesmerising slice of audiovisual eye candy – and it certainly is that – the piece also provokes a bevy of intriguing questions about our multisensory experience of art.
Director: Bastien Dupriez
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Progress and modernity
Moving from Tibet to Beijing, Drolma reconciles big dreams with harsh realities
31 minutes
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Mathematics
Spiral into the ‘golden ratio’ – and separate the myths from the maths
4 minutes
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Art
A young Rockefeller collects art on a fateful journey to New Guinea
7 minutes
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Architecture
A lush tour of Fallingwater – the Frank Lloyd Wright design that changed architecture
14 minutes
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Art
Defying classification, fantastical artworks reframe the racism of Carl Linnaeus
8 minutes
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Film and visual culture
Space and time expand, contract and combust in this propulsive animation
5 minutes
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Gender
A catchy tune explains the world’s ‘isms’ – according to your mum doing the laundry
5 minutes
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Art
When East met West in the images of an overlooked, original photographer
9 minutes
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Earth science and climate
Images carved into film form a haunting elegy for a disappearing slice of Earth
3 minutes