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For his short film Liza, the French animator Bastien Dupriez aimed to create ‘a kind of visual transcription’ of the George Gershwin song Liza (All the Clouds’ll Roll Away) (1929), as performed by the French musician Jean-Michel Pilc. As the rollicking jazz piano builds, the frame splashes with abstract shapes and colours, as well as hints of human forms. The resulting effect is of visuals built to accompany and respond to the mood of the music, rather than the much more familiar inverse experience. Beyond serving as a mesmerising slice of audiovisual eye candy – and it certainly is that – the piece also provokes a bevy of intriguing questions about our multisensory experience of art.
Director: Bastien Dupriez
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Film and visual culture
Space and time expand, contract and combust in this propulsive animation
5 minutes
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Gender
A catchy tune explains the world’s ‘isms’ – according to your mum doing the laundry
5 minutes
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Art
When East met West in the images of an overlooked, original photographer
9 minutes
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Earth science and climate
Images carved into film form a haunting elegy for a disappearing slice of Earth
3 minutes
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Nature and landscape
California’s landscapes provide endless inspiration for a woodcut printmaker
10 minutes
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Stories and literature
Two variants of a Hindu myth come alive in an animated ode to Indian storytelling
14 minutes
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Art
Background music was the radical invention of a trailblazing composer
17 minutes
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Gender
A filmmaker responds to Lars von Trier’s call for a new muse with a unique application
16 minutes
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Design and fashion
A ceramicist puts her own bawdy spin on the folk language of pottery
14 minutes