Get curated editors’ picks, peeks behind the scenes, film recommendations and more.
For his short film Liza, the French animator Bastien Dupriez aimed to create ‘a kind of visual transcription’ of the George Gershwin song Liza (All the Clouds’ll Roll Away) (1929), as performed by the French musician Jean-Michel Pilc. As the rollicking jazz piano builds, the frame splashes with abstract shapes and colours, as well as hints of human forms. The resulting effect is of visuals built to accompany and respond to the mood of the music, rather than the much more familiar inverse experience. Beyond serving as a mesmerising slice of audiovisual eye candy – and it certainly is that – the piece also provokes a bevy of intriguing questions about our multisensory experience of art.
Director: Bastien Dupriez
video
Virtues and vices
Why Jean-Jacques Rousseau and Adam Smith were divided on the virtues of vanity
5 minutes
video
Beauty and aesthetics
In art, the sublime is a feedback loop, evolving with whatever’s next to threaten us
9 minutes
video
Family life
One family’s harrowing escape from postwar Vietnam, told in a poignant metaphor
10 minutes
video
Film and visual culture
Our world has very different contours when a millimetre is blown up to a full screen
8 minutes
video
Bioethics
What a 1970 experiment reveals about the possibility and perils of ‘head transplants’
6 minutes
video
History of technology
Replicating Shakespearean-era printing brings its own dramas and comedy
19 minutes
video
Animals and humans
The wild tale of a young animal keeper, an angry tiger and a torn circle net
10 minutes
video
Beauty and aesthetics
Can you see music in this painting? How synaesthesia fuelled Kandinsky’s art
10 minutes
video
Knowledge
Why it takes more than a lifetime to truly understand a single meadow
11 minutes