Detail of a blue chaser dragonfly from Plate 17 of Animalia Rationalia et Insecta (c1575/1590s) by Joris Hoefnagel. Courtesy the National Gallery of Art
Detail of a blue chaser dragonfly from Plate 17 of Animalia Rationalia et Insecta (c1575/1590s) by Joris Hoefnagel. Courtesy the National Gallery of Art
More than a century before Carl Linnaeus set out to categorise the natural world, the 16th-century Flemish painter and polymath Joris Hoefnagel began to render the creatures around him in unprecedented detail. As the US video essayist Evan Puschak (aka The Nerdwriter) explores in this short, Hoefnagel’s project was quietly revolutionary – particularly in his keen interest in insect life. Pairing his thoughtful analysis with some of Hoefnagel’s most striking illustrations, Puschak lays out why 16th-century Antwerp, the artist’s home, was the perfect confluence of time and place for his innovative melding of science and art.
Video by The Nerdwriter
Website: National Gallery of Art
videoNature and landscape
Scenes from Aboriginal Australian pottery chart the turn of the seasons
7 minutes
videoLove and friendship
What does it mean to say goodbye to a creature that doesn’t know you’re leaving?
13 minutes
videoNature and landscape
After independence, Mexico was in search of identity. These paintings offered a blueprint
15 minutes
videoArt
A young Rockefeller collects art on a fateful journey to New Guinea
7 minutes
videoHistory of science
How we came to know the size of the Universe – and what mysteries remain
26 minutes
videoEcology and environmental sciences
Join endangered whooping cranes on their perilous migratory path over North America
6 minutes
videoArt
Defying classification, fantastical artworks reframe the racism of Carl Linnaeus
8 minutes
videoFilm and visual culture
Space and time expand, contract and combust in this propulsive animation
5 minutes
videoHistory of science
Meet the Quaker pacifist who shattered British science’s highest glass ceilings
14 minutes