Do we need our memories when we can document virtually every aspect of our lives?

Grainy 8mm and 16mm film now tends to evoke nostalgia but, in the decades before digital cameras, home movies were the only immediate way to visually document the present. The US filmmaker Martha Gregory makes wonderful use of her family’s trove of home movies, shot by her grandfather Charles from the 1950s to the 1970s, to craft her short documentary Three Red Sweaters and ask what happens to memories when we document our lives. Charles’s amateur filmmaking was mostly for his own enjoyment – and occasionally a means of social avoidance – but his sharp eye yielded lovely images of daily life, family vacations and children growing up. This archive of a life of comfort and means in the San Francisco area is set to present-day conversations with Gregory’s mother and grandfather, in which she ponders whether ‘photographs and film help us remember the past or remove us from it’. 

Life emerges, evolves and fights for supremacy in this 1929 avant-garde classic

The New Zealand-born artist Leonard Charles Huia Lye (1901-80), better known as Len Lye, is renowned for his work in kinetic sculpture and experimental film, and is widely considered one of the most innovative modernists of the 20th century. Lye’s first film, Tusalava (1929), produced over two years following a move to London, was born of the city’s emerging experimental film scene and Lye’s abiding interest in Maori, Aboriginal and Samoan art. Composed of some 7,000 hand-drawn images, the abstract animation synthesises modern and ancient art as it depicts simple life forms emerging, evolving and coming into conflict. As with the influence of African art on Pablo Picasso, Lye’s use of so-called ‘primitivism’ has been both praised for introducing non-Western perspectives to Western art, and criticised for cultural appropriation. The film was originally paired with a now-lost piano score from the UK-born composer Jack Ellitt. This version features the UK composer Eugene Goossens’s composition Rhythmic Dance (1928), which Lye later suggested as an alternative accompaniment.

If simple logic isn’t working with your internet company, try Zermelo-Fraenkel set theory

This tongue-in-cheek animation from the US YouTuber Henry Reich – the mind behind MinutePhysics – is a creative exercise in how not to lose your cool when faced with the abyss of illogic. Recalling the mundane, mindnumbing tribulations of trying to get a straight answer on billing from his internet service provider (ISP), Reich concludes that the company isn’t just guilty of subpar customer service – their policies also break nearly every fundamental law of modern mathematics. Reich’s clever excoriation of telecommunication companies was created for The Festival of Bad Ad Hoc Hypotheses (BAHFest), an annual ‘celebration of well-argued and thoroughly researched but completely incorrect scientific theories’.

Mind control and zombification do exist. Just look at these crickets

Warning: this video is not for the squeamish.

Mayflies make a quick and nutritious snack for crickets. But, rather unfortunately for the cricket population of California, some mayflies are home to hairworms (nematomorphs) – parasitic creatures that will stop at nothing to make their way back to water. Once consumed, hairworms feed off crickets from the inside, absorbing all of their lipids, and eventually putting the cricket in a state of developmental and reproductive limbo. Worse still, once these fast-growing parasites reach their adult length of one to two feet, they zombify their hosts, unleashing brain chemicals that make the infected crickets wander aimlessly until they hit water, where the worms make their final escape and start the whole cycle anew. By studying this process, scientists hope to learn more about how brain parasites might affect human behaviour. The ordeal is captured in microscopic detail in this episode of the often creepy, always fascinating science documentary series Deep Look. Read more about the video at KQED Science.

Human capital: art, exercise and industry in the streets of Beijing

As preparations for the 2008 Summer Olympics were transforming swathes of Beijing, the Portuguese filmmaker Sérgio Cruz was exploring the city’s streets and public spaces with his camera. Taking an observational approach, Cruz found a metropolis undergoing rapid development, while in pockets its distinctive traditions and pastimes continued unabated. Amid cacophonous construction and air pollution heavy on the skyline, there’s a rich and unceasing pulse of communal life – what Cruz calls ‘a 24-hour live show full of music, dance and sports’. A choir gathers to sing in an underground tunnel; a group practises synchronised tai chi under a basketball hoop in a park; couples dance in a public square at dusk. While deliberately paced, Cruz’s short film is not unlike the curious tourist who breaks away from the planned itinerary to seek out excitement and small surprises around every new corner.