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Compiling newsreels, articles and television news reports, The Rifleman examines some four decades in the history of the National Rifle Association (NRA). Via these archival materials, the US director Sierra Pettengill frames her portrait of the controversial gun-rights group around Harlon Carter, the former NRA president and a US Border Patrol chief, with an overturned murder conviction to his name, who was central in forging the NRA’s transition from a sporting organisation to one of the most potent and controversial political forces in the United States. Tracing the many overlaps between Carter, the NRA and US Border Patrol, Pettengill finds a group that, since the dawn of Carter’s influence, has been propelled by reactionary racism.
Director: Sierra Pettengill
Producer: Arielle de Saint Phalle
Website: Field of Vision
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Film and visual culture
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Gender and identity
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The ancient world
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Human rights and justice
The staggering cruelty of Ireland’s Church-run ‘mother and baby homes’
History of ideas
Peter Singer charts the path from Hegelian philosophy to Marxist revolution
War and peace
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