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Aeon is a registered charity committed to the spread of knowledge and a cosmopolitan worldview. Our mission is to create a sanctuary online for serious thinking.

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Light plate

10 minutes

Mars habitat

5 minutes

Hoplites! Greeks at war

8 minutes

Street photography, 1838-2019: a photo for every year

20 minutes

Are you sure? Truth, certainty and politics

6 minutes

Aeon for Friends

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Pasta-making stunningly distills the connection between nature and craft

Light Plate transforms the iconic, idyllic Tuscan landscape into a richly visual palette that contrasts the old with the new, and urban bustle with bucolic calm. Using hand-processed black-and-white film, the US filmmaker Josh Gibson treats the beauty of an Italian countryside and the sensuousness of the pasta-making process with a light, rhythmic touch to achieve a soothingly pleasing abstraction of nature and craft.

Director: Josh Gibson

Aeon for Friends

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How 3D-printing robots will get Mars home-ready for our arrival

NASA has tentative plans for a manned mission to Mars sometime in the 2030s. Between now and then, there’s still much that needs to be sorted. To start, massive dust storms, high levels of radiation, low temperatures and a lack of water make the Martian surface an unfriendly place for long-term visits. Taming it for human life will likely prove one of the most demanding and complex engineering puzzles in human history. With those extraordinary obstacles in mind, in 2015 NASA announced the 3D-Printed Habitat Challenge: an open call asking designers and architects outside the traditional aerospace industry to create plans for Martian living centred around 3D printing. One of 10 finalists announced in 2019, this plan from the design practices HASSELL and Eckersley O’Callaghan envisions teams of 3D-printing robots building a protective shield on the Martian surface several months in advance of a human landing. Upon arrival, astronauts would then work alongside the autonomous robots to piece together an inflatable, modular habitat.

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Frozen for millennia, an ancient Greek soldier is freed to charge into battle once again

The artifacts that underlie so much of our understanding of the ancient world can often feel like brittle remnants of a dim and dusty past that’s hard to access without context and extensive knowledge. But sometimes just a little kineticism can transform a bit of pottery into a living story. Such is the effect of this animation produced for an exhibition at the Ure Museum of Greek Archaeology at the University of Reading in the UK, which breathes life into war scenes from a vase found on the island of Euboea and thought to date to roughly 550 BCE. The story follows a spear-wielding hoplite (citizen-soldier in the infantry) as he moves through several stages of the wartime experience. After witnessing a ceremonial animal sacrifice performed by a priest, he departs for battle alongside his fellow soldiers, fights the enemy and creates a trophy from their discarded equipment to mark his side’s victory. Learn more about the video at the Panoply Vase Animation Project website.

Art director: Sonya Nevin

Animator: Steve K Simons

Website: Panoply Vase Animation Project

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Historic street view: an image for each of the 181 years since the dawn of photography

Just a decade after the first surviving photograph was taken, photography became widespread enough that, today, the Canadian film archivist and YouTuber Guy Jones could assemble this parade of streets worldwide – one photograph for each year from 1838 to 2019. The resulting montage offers a scattershot urban history of modernity, chronicling seismic shifts in transportation methods and fashions, as well as the more subtle evolutions of storefront signage and roadway surfaces. The video also provides a meaningful window into the history of the medium itself. At the dawn of photography, the black-and-white images are deliberately framed, with the camera often drawing the attention of its subjects. In recent photos, as the camera has become more ubiquitous, it’s often less artfully employed, and its presence goes mostly unnoticed by the people whose lives it freezes in discrete moments. 

Editor: Guy Jones

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What wrapping a rope around the Earth reveals about the limits of human intuition

If you tied a rope tight around the Earth’s equator and then added a single yard of slack, would the extra material make any noticeable difference to someone standing on the ground? Yes, actually. The answer comes as a surprise to most people, but the additional bit of rope raises it high enough off the ground for our eyes to easily discern it, and our feet to easily trip over. That fact might seem trivial, but the early 20th-century philosopher Ludwig Wittgenstein believed that this chasm between human intuition and physical reality revealed something important about the fallibility of our thinking. After all, if something that seems obvious to almost everyone can be totally false, what else might we be wrong about? This video from the Center for Public Philosophy at the University of California, Santa Cruz breaks down the mathematics behind Wittgenstein’s knotty example, and asks whether it should make us all feel a bit less certain about even our most deeply held beliefs.

Producers: Gregor Clark, Jon Ellis

Animator: Adam Ansorge

Aeon for Friends

Find out more

Pasta-making stunningly distills the connection between nature and craft

Light Plate transforms the iconic, idyllic Tuscan landscape into a richly visual palette that contrasts the old with the new, and urban bustle with bucolic calm. Using hand-processed black-and-white film, the US filmmaker Josh Gibson treats the beauty of an Italian countryside and the sensuousness of the pasta-making process with a light, rhythmic touch to achieve a soothingly pleasing abstraction of nature and craft.

Director: Josh Gibson

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Essay/
Thinkers and theories
Susan Sontag was a monster

She took things too seriously. She was difficult and unyielding. That’s why Susan Sontag’s work matters so much even now

Lauren Elkin

Essay/
Family life
When breast isn’t best

New parents face intense moral pressure from every quarter to breastfeed their babies. But sometimes bottle is better

Laura Frances Callahan