Become a Friend of Aeon to save articles and enjoy other exclusive benefits

Make a donation
×
Newsletter Privacy Policy

Aeon email newsletters are issued by the not-for-profit, registered charity Aeon Media Group Ltd (Australian Business Number 80 612 076 614). This Email Newsletter Privacy Statement pertains to the personally identifying information you voluntarily submit in the form of your email address to receive our email newsletters

More generally, when visiting the Aeon site you should refer to our site Privacy Policy here.

This Email Newsletter Privacy Statement may change from time to time and was last revised 18 May, 2020.

By clicking ‘subscribe’ you agree to the following:

  • We will use the email address you provide to send you daily and/or weekly emails (depending on your selection). We also send occasional donation requests and, no more than once a year, reader surveys.
  • The email address/es you provide will be transferred to our external marketing automation service ‘MailChimp’ for processing in accordance with their Privacy Policy and Terms. We use MailChimp to issue our newsletters, donation requests and reader surveys. We have no control over, and assume no responsibility for, the conduct, practices or privacy policies of MailChimp.

Unsubscribing

You can change your mind at any time by clicking the ‘unsubscribe’ link in the footer of emails you receive from us, or by contacting us at support@aeon.co 

If you want to review and correct the personal information we have about you, you can click on ‘update preferences’ in the footer of emails you receive from us, or by contacting us at support@aeon.co

Security of your personal information

We are committed to ensuring that your information is secure. We have taken reasonable measures to protect information about you from loss, theft, misuse or unauthorised access, disclosure, alteration and destruction. No physical or electronic security system is impenetrable however and you should take your own precautions to protect the security of any personally identifiable information you transmit. We cannot guarantee that the personal information you supply will not be intercepted while transmitted to us or our marketing automation service Mailchimp.

Sharing your personal information 

We will not disclose your personal information except: (1) as described by this Privacy Policy (2) after obtaining your permission for a specific use or disclosure or (3) if we are required to do so by a valid legal process or government request (such as a court order, a search warrant, a subpoena, a civil discovery request, or a statutory requirement). We will retain your information for as long as needed in light of the purposes for which is was obtained or to comply with our legal obligations and enforce our agreements.

Access to your personal information

You may request a copy of the personal information we hold about you by submitting a written request to support@aeon.co We may only implement requests with respect to the personal information associated with the particular email address you use to send us the request. We will try and respond to your request as soon as reasonably practical. When you receive the information, if you think any of it is wrong or out of date, you can ask us to change or delete it for you.

Il capo

3 minutes

Last acre

12 minutes

The wolf dividing Norway

29 minutes

The evolution of cynicism

5 minutes

Unreal city

6 minutes

Quarrying massive blocks of marble takes huge machines – and precise gestures

In the Apuan Alps of northern Tuscany in Italy, ‘Il Capo’ or the chief directs the processes of extraction at a quarry for Carrara marble. In this short version of the 15-minute film Il Capo by the celebrated Italian artist and filmmaker Yuri Ancarani, the quarry becomes an otherworldly realm in which to explore the interplay between man, machine and nature – all bound together by an unusual language of delicate gesture and brute force.

Director: Yuri Ancarani

A world of shacks and shanties is a place of makeshift beauty on England’s margins

At the beginning of the 20th century, a number of impoverished Britons set out in search of their own Arcadia. They found it, for a time, in poorly developed strips of land that had been neglected or abandoned by others. This cheap or sometimes even free land gave these pioneers a place to build their own humble shacks out of old bits of wood and boat, creating utopias that came to be called ‘Plotlands’. Life in the Plotlands continues still, and is precarious, improvised and marginal – yet full of rugged beauty. The UK filmmakers Jacob Cartwright and Nick Jordan capture that makeshift, unconventional beauty in this short documentary, set to Peter Warlock’s inimitable composition The Curlew (1920-22) and filmed on the salt marshes of Lowsy Point near Barrow-in-Furness in northwest England.

Directors: Jacob Cartwright, Nick Jordan

Narrator: Judy May

The divisive debate over hunting Norway’s endangered wolves

During the 1960s, wolves nearly vanished from Norway’s landscape due to overhunting; now, there are no more than 70 wolves left in the country. Although the wild predators – known to prey on farmers’ livestock – received protection under law in 1971, the debate between hunters and conservationists over the fate of the remaining endangered population has been heated and divisive ever since. The Wolf Dividing Norway shows how this debate culminates in December 2019, as groups on both sides of the conflict wait to hear whether the government will authorise the annual winter wolf hunt. With unprecedented access to remote communities at the heart of the debate, the Norwegian documentary filmmaker Kyrre Lien humanises the frustration coming from both sides, providing a sensitive look at one of Norway’s most polarising topics.

Director: Kyrre Lien

Cynicism was born when Diogenes rejected materialism and manners

Plato once described the philosopher Diogenes of Sinope as ‘a Socrates gone mad!’ It’s a good comparison. Like Socrates, Diogenes gave the bird to respectable society. He undermined status and manners in the 4th century BCE with his bottomless reserve of shamelessness and irreverence, opting to live on the streets like a stray dog. But, of course, there was a method to his madness. In this short video by TED-Ed, the Irish philosopher William D Desmond explains how Diogenes lived an authentic and ascetic life in accordance with nature, and how in doing so he founded the philosophy of cynicism – an iconoclastic tradition that continues to illuminate and infuriate today.

Video by TED-Ed

Director: Avi Ofer

Writer: William D Desmond

How an augmented reality app transformed London into an immersive art gallery

If you ever hopped on the Pokémon GO craze, you’ll have an inkling of how digital technology is increasingly capable of adding rich new slices to everyday life. The public exhibition ‘Unreal City’, which ran from 8 December 2020 to 5 January 2021 on the River Thames in London – and is, until 9 February 2021, available for at-home viewing – similarly superimposed digital layers on to reality, but with an aim to transform the city into an immersive augmented reality (AR) art gallery. An initiative from the AR app Acute Art and Dazed Media, the exhibition featured 36 digital sculptures from artists around the globe, and was arranged as a riverside walking tour at a time when indoor museums had become mostly inaccessible due to COVID-19. Featuring images of some of the sculptures and words from artists including Olafur Eliasson, Tomás Saraceno, Cao Fei and KAWS, this trailer for the ‘Unreal City’ exhibition is an exciting glimpse into the potential for AR as it continues to transform cities in strange and surprising ways.

Director: Kate Villevoye

Website: Dazed

Quarrying massive blocks of marble takes huge machines – and precise gestures

In the Apuan Alps of northern Tuscany in Italy, ‘Il Capo’ or the chief directs the processes of extraction at a quarry for Carrara marble. In this short version of the 15-minute film Il Capo by the celebrated Italian artist and filmmaker Yuri Ancarani, the quarry becomes an otherworldly realm in which to explore the interplay between man, machine and nature – all bound together by an unusual language of delicate gesture and brute force.

Director: Yuri Ancarani

Aeon is not-for-profit
and free for everyone
Make a donation
Get Aeon straight
to your inbox
Join our newsletter

Elizabeth I of England (c1588), artist unknown. One of three known as the Armada portraits and on display in Woburn Abbey. Courtesy Wikipedia

Essay/
Cognition and intelligence
How to be a genius

I travelled the world and trawled the archive to unearth the hidden lessons from history’s most brilliant people

Craig Wright

Emerging towards 241 18th Street (centre), home to Amazon’s new HQ2 in Crystal City, Virginia. Photo by Dermot Tatlow/Panos Pictures

Essay/
Technology and the self
The problem with prediction

Cognitive scientists and corporations alike see human minds as predictive machines. Right or wrong, they will change how we think

Joseph Fridman