Get curated editors’ picks, peeks behind the scenes, film recommendations and more.
Barcelona’s squares (places in Catalan, plazas in Spanish) are the beating heart of the Catalonian capital – beloved to residents and tourists alike. Breaking the monotony of the city’s gridded streets, these open outdoor areas percolate with the comings and goings of al fresco diners, makeshift football matches and all iterations of art and commerce. Formed from sketches made while the London-based filmmaker Gabriella Marsh was living in Barcelona, the brief animation Solos captures daily life in a small square in the historic Gràcia neighbourhood. Streets are swept, families squabble and friendly greetings are exchanged. And yet these mostly mundane scenes transform into something quite remarkable via Marsh’s stylish hand-drawn images and composer Joe Bush’s gentle piano score. What emerges is an elegant meditation on the intersections of streets, stories and social forces that give shape to a city block.
Director: Gabriella Marsh
Composer: Joe Bush
video
Information and communication
‘Astonished and somewhat terrified’ – Victorians’ reactions to the phonograph
36 minutes
video
Engineering
From simple motors to levitating trains – how design shapes innovation
23 minutes
video
Home
How an artist transformed a dilapidated hunting lodge into a house made of dreams
8 minutes
video
Animals and humans
Are zoos and natural history museums born of a desire to understand, or to control?
57 minutes
video
Archaeology
What’s an ancient Greek brick doing in a Sumerian city? An archeological investigation
16 minutes
video
Family life
The migrants missing in Mexico, and the mothers who won’t stop searching for them
21 minutes
video
Virtues and vices
Why Jean-Jacques Rousseau and Adam Smith were divided on the virtues of vanity
5 minutes
video
Ecology and environmental sciences
The tree frog die-off that sparked a global mystery – and revealed a dark truth
15 minutes
video
Beauty and aesthetics
In art, the sublime is a feedback loop, evolving with whatever’s next to threaten us
9 minutes