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By the 16th century, European painters had become masterful at crafting illusions of perspective, giving viewers an impression of lifelike, three-dimensional depth on flat surfaces. Building on this well of Renaissance knowledge, a small handful of artists began pushing linear perspective further still, crafting works that required the viewer to occupy a single vantage point – or series of vantage points – in order to be fully understood. Today, this sort of visual illusion, known as anamorphosis, is responsible for viral internet phenomena such as the 3D street paintings of the Rome-based artist Kurt Wenner. At its inception, however, the technique was used to both provocative and whimsical effect, often adding subversive new meanings to works once revealed. In this short film, the celebrated US animation team Stephen and Timothy Quay, better known as ‘the Brothers Quay’, evoke a dark fairytale with their exploration of the technique, which combines stop-motion puppetry with some notable examples of anamorphosis from the 16th and 17th centuries.
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Love and friendship
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Engineering
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Virtues and vices
Why Bennie tried to disappear, and what happened when he was found decades later
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History of technology
Curious singles and tech sceptics – what ‘computer dating’ looked like in 1966
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Animals and humans
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Stories and literature
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Technology and the self
The commodified childhood – scenes from two sisters’ lives in the creator economy
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Fairness and equality
There’s a dirty side to clean energy in the metal-rich mountains of South Africa
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Food and drink
The passage of time is a peculiar thing in a 24-hour diner
14 minutes