Become a Friend of Aeon to save articles and enjoy other exclusive benefits

Make a donation
×
Newsletter Privacy Policy

Aeon email newsletters are issued by the not-for-profit, registered charity Aeon Media Group Ltd (Australian Business Number 80 612 076 614). This Email Newsletter Privacy Statement pertains to the personally identifying information you voluntarily submit in the form of your email address to receive our email newsletters

More generally, when visiting the Aeon site you should refer to our site Privacy Policy here.

This Email Newsletter Privacy Statement may change from time to time and was last revised 5 June, 2018.

By clicking ‘Subscribe’ you agree to the following:

  • We will use the email address you provide to send you daily and/or weekly email (depending on your selection). We also send occasional donation requests and, no more than once a year, reader surveys.
  • The email address/es you provide will be transferred to our external marketing automation service ‘MailChimp’ for processing in accordance with their Privacy Policy and Terms. We use MailChimp to issue our newsletters, donation requests and reader surveys. We have no control over, and assume no responsibility for, the conduct, practices or privacy policies of MailChimp.

Unsubscribing

You can change your mind at any time by clicking the ‘unsubscribe link’ in the footer of emails you receive from us, or by contacting us at support@aeon.co 

If you want to review and correct the personal information we have about you, you can click on ‘update preferences’ in the footer of emails you receive from us, or by contacting us at support@aeon.co

Security of your personal information

We are committed to ensuring that your information is secure. We have taken reasonable measures to protect information about you from loss, theft, misuse or unauthorised access, disclosure, alteration and destruction. No physical or electronic security system is impenetrable however and you should take your own precautions to protect the security of any personally identifiable information you transmit. We cannot guarantee that the personal information you supply will not be intercepted while transmitted to us or our marketing automation service Mailchimp.

Sharing your personal information 

We will not disclose your personal information except: (1) as described by this Privacy Policy (2) after obtaining your permission to a specific use or disclosure or (3) if we are required to do so by a valid legal process or government request (such as a court order, a search warrant, a subpoena, a civil discovery request, or a statutory requirement). We will retain your information for as long as needed in light of the purposes for which is was obtained or to comply with our legal obligations and enforce our agreements.

Access to your personal information

You may request a copy of the personal information we hold about you by submitting a written request to support@aeon.co We may only implement requests with respect to the personal information associated with the particular email address you use to send us the request. We will try and respond to your request as soon as reasonably practical. When you receive the information, if you think any of it is wrong or out of date, you can ask us to change or delete it for you.


Tears of Inge

4 minutes

Take the Five

3 minutes

EXCLUSIVE

Sundays with Riki

19 minutes

Random events

31 minutes

Las del diente

5 minutes

Aeon for Friends

Find out more

The songs that help a mother camel accept her baby after a painful childbirth

In Tears of Inge, the Mongolian-born, Montreal-based filmmaker Alisi Telengut explores a nomadic Mongolian ritual in which songs are used to coax a mother camel into bonding with a newborn she has rejected, generally in response to the pain of giving birth. Telengut’s ‘little grandmother’ Qirima, herself once a nomad on Mongolia’s grasslands, explains how they’d play instruments and sing sad songs to the camel until it finally cries and accepts the baby. With each richly textured frame hand-painted by Telengut, the moving impressionistic animation depicts the deep connection between humans and animals on the steppe. Qirima’s haunting singing imparts the film with a timeless, transcendent quality, evoking a remarkable ritual that might soon be lost as Mongolian nomads increasingly migrate to urban areas.

Director: Alisi Telengut

Aeon for Friends

Find out more

Chase rolling hills and windmills on a jazzy ride through the California countryside

Interstate 5, the primary highway on the West Coast of the United States, runs for more than 1,000 miles between Mexico and Canada, through California, Oregon and Washington. In this experimental short film, the US filmmaker Conner Griffith takes the Californian stretches of the highway, and flips, spins, intercuts and speeds them up to exhilarating effect, set to a vigorous rendition of Take the ‘A’ Train, performed by the US jazz pianist Richard Tee. The video cleverly juxtaposes quintessentially East Coast urban music with West Coast rural imagery but, more than anything, it’s a wildly fun ride.

Video by Conner Griffith

Score: Richard Tee – Take the A Train

Aeon for Friends

Find out more

‘You wanna get rid of me?’ When the time comes to move mom into assisted living

During their weekly Sunday breakfast together, Ivy discovers that her octogenarian mother Riki is losing her memory. Soon after, Ivy decides that Riki would be better off moving out of the cozy Brooklyn apartment where she lives alone, and into an assisted living community in the Bronx, closer to Ivy’s own home. But, of course, when it comes to big family decisions, nothing is ever quite that easy. Ivy is making the request out of love, but Riki – resistant every step of the way – thinks her daughter is being controlling. When the time for a trial run at the community arrives, Ivy’s siblings start to question whether the move is premature, while Riki’s neighbours suggest that she’ll never be back. These delicate interpersonal dynamics are skilfully explored in this short documentary by New York-based filmmaker Brandon Barr. A tender and intimate portrait of ageing and the complexities of familial love, Sundays with Riki is likely to resonate with anyone who has helped to care for – or just cares about – an elderly relative.

Director: Brandon Barr

Producer: Max Mooney

Colourist: Anthony Riso

Aeon for Friends

Find out more

A classic film finds order in randomness with the aid of some improbably elaborate sets

The Physical Science Study Committee (PSSC) was formed in 1956 at the Massachusetts Institute of Technology with the mission to create science-education materials for US high-school classrooms. In this PSSC film from 1961, the physics professors J N Patterson Hume and Donald Ivey of the University of Toronto deploy their expertise – as well as some seriously elaborate sets – to demonstrate how, with enough data, highly predictable patterns can emerge from unpredictable events. This version of Random Events has been visually and aurally enhanced by the Aeon Video team. For more elaborate educational wizardry from the PSSC, watch Frames of Reference.

Director: John Friedman

Visual restoration: Tamur Qutab

Audio restoration: Adam D’Arpino

Aeon for Friends

Find out more

A magical mystery trip through the complex connections in women’s bodies

‘Girls are weird. Babies are weird. Bodies are extra weird,’ says the Spanish animator Ana Pérez López. In Las del Diente, she uses excerpts from candid conversations with three women as a canvas for a refreshingly honest and unapologetic meditation on modern womanhood. The anecdotes are enriched with hallucinatory animated sequences and percussive interludes, transforming their conversations about social pressure and biological anomalies into a surreal celebration of being female, in all its multitudes – from having your body treated like a business to contending with deeply conflicted feelings about having children.

Video by Ana Pérez López

Aeon for Friends

Find out more

The songs that help a mother camel accept her baby after a painful childbirth

In Tears of Inge, the Mongolian-born, Montreal-based filmmaker Alisi Telengut explores a nomadic Mongolian ritual in which songs are used to coax a mother camel into bonding with a newborn she has rejected, generally in response to the pain of giving birth. Telengut’s ‘little grandmother’ Qirima, herself once a nomad on Mongolia’s grasslands, explains how they’d play instruments and sing sad songs to the camel until it finally cries and accepts the baby. With each richly textured frame hand-painted by Telengut, the moving impressionistic animation depicts the deep connection between humans and animals on the steppe. Qirima’s haunting singing imparts the film with a timeless, transcendent quality, evoking a remarkable ritual that might soon be lost as Mongolian nomads increasingly migrate to urban areas.

Director: Alisi Telengut

Get Aeon straight
to your inbox
Join our newsletter
Aeon is not-for-profit
and free for everyone
Make a donation
Essay/
Film and visual culture
Celebrity matters

As aspirational avatars, idolised icons and vessels of collective memory, celebrities permeate all aspects of modern life

Holly Grout

Essay/
Thinkers and theories
Impossible choices

Learning from his family, his animals and his work with tribal people, Gregory Bateson saw the creative potential of paradox

Tim Parks