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A view from the window

8 minutes

Building beauty with biology

5 minutes

A brief history of melancholy

5 minutes

The Sutton Hoo helmet

19 minutes

Gut hack

12 minutes

What does school look and sound like when you and your classmates are deaf?

The California School for the Deaf (CSD) is a free school in Fremont and Riverside for deaf and hard-of-hearing students between the ages of three and 21. In A View from the Window, the US director Chris Filippone and the Iranian director Azar Kafaei observe a third-grade class at the school’s Fremont location. Taking a fly-on-the-wall approach, the directors capture the children as they fuss over the crayfish in the classroom fish tank, speak with a guest about his experience as a deaf black man, and hit the playground for recess. Through their immersive filmmaking, a vivid bilingual world emerges – one that, in many ways, is very much similar to a traditional elementary-school classroom. This touching short has been a film-festival favourite in 2018, appearing at the Palm Springs International Shortfest and the Big Sky Documentary Film Festival, among others.

Directors: Chris Filippone, Azar Kafaei

The uncanny art inspired by evolution and generated by ‘crossbreeding’ images

When viewing the work of the US artist and tool developer Joel Simon, you might find that his images are unlike anything you’ve ever seen before – which makes sense, as they weren’t quite born of nature or a human mind. Inspired by the biological properties of evolution and emergence, Simon uses simple programming rules, which, when applied over and over, give rise to uncanny images that augment the human imagination. His most recent work, explored in this video from Science Friday, applies a machine-learning framework known as a generative adversarial network (GAN) to two images. Guided by human users via Simon’s website Artbreeder, his programs ‘crossbreed’ pictures of everything from animals to artworks. Fascinating digital artefacts in their own right, the resulting, author-less images raise complex questions at the nexus of art, programming and design.

Video by Science Friday

Producer: Luke Groskin

From imbalanced humours to brain chemistry – on the evolution of melancholy

The Ancient Greeks blamed sadness on bodily humours called ‘melaina kole’ (black bile). Today, clinical depression is often understood as an imbalance of brain chemicals – although this is a paradigm that many experts believe is overdue for an update. This animation from TED-Ed offers a brief examination of the history of melancholy, scoping how philosophers, poets, writers and scientists have envisioned and altered our understanding of the experience across the ages.

Video by TED-Ed

Director: Sharon Colman

Writer: Courtney Stephens

The meanings and mysteries of the iconic Sutton Hoo helmet brought vividly to life

The early Anglo-Saxon artefact known as the Sutton Hoo helmet has, since its origins in the 7th century, passed through many incarnations, including: exquisite armour, long-dormant burial object, astounding archeological discovery and high-stakes puzzle. Today, the Sutton Hoo helmet – so named for the site in the English county of Suffolk at which it was discovered in 1939 – lives on as one of the British Museum’s most famous pieces. In this video, Sue Brunning, curator of the museum’s European Early Medieval Insular Collection, examines the iconic object, revealing the multitude of meanings and mysteries it holds. Through her investigation, Brunning brilliantly captures how history is an ever-fluid work in progress, being made and remade as new discoveries are brought – often quite literally – to light.

Video by the British Museum

When medicine offers no relief, a biohacker begins a radical self-experiment

In 2015, the US scientist, artist and self-described ‘biohacker’ Josiah Zayner undertook a controversial project to help resolve his lifelong gastrointestinal issues. The plan was to replace the vast colonies of microbiota on and inside his body via transplants from a healthy donor – and then document the proceedings. Although an accomplished biologist with a PhD in biophysics and two years as a NASA researcher under his belt, Zayner’s endeavour was frowned upon by much of the scientific community, with critics condemning the project for operating outside the normal boundaries of bioethics. Especially controversial was Zayner’s plan to self-administer a faecal transplant – a risky procedure usually reserved for potentially fatal conditions. In their documentary Gut Hack, the filmmakers Mario Furloni and Kate McLean follow Zayner’s fascinating, radical and not-for-the-squeamish quest for relief. In so doing, they also confront deeper issues of ethics and autonomy at the core of contemporary science.

Directors: Mario Furloni, Kate McLean

Producer: Laura Heberton

What does school look and sound like when you and your classmates are deaf?

The California School for the Deaf (CSD) is a free school in Fremont and Riverside for deaf and hard-of-hearing students between the ages of three and 21. In A View from the Window, the US director Chris Filippone and the Iranian director Azar Kafaei observe a third-grade class at the school’s Fremont location. Taking a fly-on-the-wall approach, the directors capture the children as they fuss over the crayfish in the classroom fish tank, speak with a guest about his experience as a deaf black man, and hit the playground for recess. Through their immersive filmmaking, a vivid bilingual world emerges – one that, in many ways, is very much similar to a traditional elementary-school classroom. This touching short has been a film-festival favourite in 2018, appearing at the Palm Springs International Shortfest and the Big Sky Documentary Film Festival, among others.

Directors: Chris Filippone, Azar Kafaei

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At the Maison Blanche psychiatric hospital in Paris, 1954. Photo by Jean-Philippe Charbonnier/Gamma-Rapho/Getty

Essay/
History of science
Shocked

It damages memory and cognition, and brings no lasting relief. Why is ‘electroshock’ therapy still a mainstay of psychiatry?

John Read

Sehnsucht (‘Longing’) by the Nederlands Dans Theater at Sadler’s Wells, London, in 2014. Photo by Leo Mason/Popperfoto/Getty

Essay/
Dance and theatre
To the core

A devastating loss can shatter the façade we put up for others, exposing our deepest, rawest self. A work of art can do the same

Julia F Christensen