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The American abstract expressionist Jackson Pollock (1912-56) is a rare artist whose name, style and influence has grown to reach far beyond the art world. But when the National Gallery of Australia in 1973 bought one of Pollock’s most celebrated works, Blue Poles (1952), for a record-breaking sum of US$2 million, it set off a national controversy over the merits of abstract art, as well as about the painting’s place in Australia’s national collection. This short documentary from the New York City-based filmmaker Alison Chernick recalls the unlikely story of how the Australian government’s landmark purchase divided the nation as well as the art world, became an unlikely tabloid sensation, and ultimately found its place in Australian culture.
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Art
When East met West in the images of an overlooked, original photographer
9 minutes
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Values and beliefs
Why a single tree, uprooted in a typhoon, means so much to one man in Hanoi
7 minutes
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Consciousness and altered states
‘I want me back’ – after a head injury, Nick struggles with his altered reality
7 minutes
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Meaning and the good life
Why Orwell urged his readers to celebrate the spring, cynics be damned
11 minutes
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Making
On the Norwegian coast, a tree is transformed into a boat the old-fashioned way
6 minutes
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Animals and humans
One man’s quest to save an orphaned squirrel, as narrated by David Attenborough
14 minutes
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Computing and artificial intelligence
A future in which ‘artificial scientists’ make discoveries may not be far away
9 minutes
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History
Hags, seductresses, feminist icons – how gender dynamics manifest in witches
13 minutes
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Earth science and climate
Images carved into film form a haunting elegy for a disappearing slice of Earth
3 minutes