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The American abstract expressionist Jackson Pollock (1912-56) is a rare artist whose name, style and influence has grown to reach far beyond the art world. But when the National Gallery of Australia in 1973 bought one of Pollock’s most celebrated works, Blue Poles (1952), for a record-breaking sum of US$2 million, it set off a national controversy over the merits of abstract art, as well as about the painting’s place in Australia’s national collection. This short documentary from the New York City-based filmmaker Alison Chernick recalls the unlikely story of how the Australian government’s landmark purchase divided the nation as well as the art world, became an unlikely tabloid sensation, and ultimately found its place in Australian culture.
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Fairness and equality
There’s a dirty side to clean energy in the metal-rich mountains of South Africa
10 minutes
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Food and drink
The passage of time is a peculiar thing in a 24-hour diner
14 minutes
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Art
Background music was the radical invention of a trailblazing composer
17 minutes
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Anthropology
For an Amazonian female shaman, ayahuasca ceremonies are a rite and a business
30 minutes
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Metaphysics
What do past, present and future mean to a philosopher of time?
55 minutes
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Gender
A filmmaker responds to Lars von Trier’s call for a new muse with a unique application
16 minutes
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Computing and artificial intelligence
Why large language models are mysterious – even to their creators
8 minutes
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Sports and games
Havana’s streets become racetracks in this exhilarating portrait of children at play
5 minutes
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Spirituality
Through rituals of prayer, a monk cultivates a quietly radical concept of freedom
4 minutes