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The American abstract expressionist Jackson Pollock (1912-56) is a rare artist whose name, style and influence has grown to reach far beyond the art world. But when the National Gallery of Australia in 1973 bought one of Pollock’s most celebrated works, Blue Poles (1952), for a record-breaking sum of US$2 million, it set off a national controversy over the merits of abstract art, as well as about the painting’s place in Australia’s national collection. This short documentary from the New York City-based filmmaker Alison Chernick recalls the unlikely story of how the Australian government’s landmark purchase divided the nation as well as the art world, became an unlikely tabloid sensation, and ultimately found its place in Australian culture.
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Family life
One family’s harrowing escape from postwar Vietnam, told in a poignant metaphor
10 minutes
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Fairness and equality
Visit the small Texas community that lives in the shadow of SpaceX launches
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Film and visual culture
Our world has very different contours when a millimetre is blown up to a full screen
8 minutes
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War and peace
A frontline soldier’s moving account of the fabled ‘Christmas truce’ of 1914
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Bioethics
What a 1970 experiment reveals about the possibility and perils of ‘head transplants’
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History of technology
Replicating Shakespearean-era printing brings its own dramas and comedy
19 minutes
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Animals and humans
The wild tale of a young animal keeper, an angry tiger and a torn circle net
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Technology and the self
Why single Chinese women are freezing their eggs in California
24 minutes
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Beauty and aesthetics
Can you see music in this painting? How synaesthesia fuelled Kandinsky’s art
10 minutes