Get curated editors’ picks, peeks behind the scenes, film recommendations and more.
In Kabul, the bustle of the city – shopping, work, conversation and play – takes place beneath a mysterious US military balloon that has hovered in the sky since 2009. Ominous yet somehow part of the landscape given its omnipresence, the balloon’s precise purpose and capabilities are not disclosed. Part of The Intercept’s Field of Vision documentary series, The Above is both an apt metaphor for the state of global surveillance, and an unsettling glimpse into the increasingly common experience of living with unfamiliar, unwelcome objects overhead.
Director: Kirsten Johnson
Producers: Kirsten Johnson, Marilyn Ness
Editor: Nels Bangerter
video
Dance and theatre
How a Noh mask-maker summons a lifelike face from a single block of wood
16 minutes
video
The ancient world
What wine vessels reveal about politics and luxury in ancient Athens and Persia
16 minutes
video
Art
David Goldblatt captured the contradictions of apartheid in stark black and white
15 minutes
video
Thinkers and theories
Is simulation theory a way to shirk responsibility for the world we’ve created?
13 minutes
video
Family life
In Rwanda, Sébastien finds traces of personal history in the wake of national tragedy
21 minutes
video
Dance and theatre
Leaf through Shakespeare’s First Folio for a riveting journey into theatre history
13 minutes
video
Architecture
Modern architecture should embrace – not ignore or repel – the nonhuman world
8 minutes
video
Nations and empires
The strange tale of how mangoes became hallowed objects in Maoist China
6 minutes
video
Ecology and environmental sciences
In an ancient English rainforest, John creates charcoal and cultivates growth
12 minutes