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In Kabul, the bustle of the city – shopping, work, conversation and play – takes place beneath a mysterious US military balloon that has hovered in the sky since 2009. Ominous yet somehow part of the landscape given its omnipresence, the balloon’s precise purpose and capabilities are not disclosed. Part of The Intercept’s Field of Vision documentary series, The Above is both an apt metaphor for the state of global surveillance, and an unsettling glimpse into the increasingly common experience of living with unfamiliar, unwelcome objects overhead.
Director: Kirsten Johnson
Producers: Kirsten Johnson, Marilyn Ness
Editor: Nels Bangerter
The nearly forgotten origin myth of Hawaii’s third-gender healers, as told by one
A whirlwind tour of Hong Kong’s high-rises is an awesome meditation on urbanity
Sports and games
After a day’s toil in California’s fields, labourers let loose in street races
History of technology
Remarkable historical footage is locked behind paywalls. It’s time to set it free
Thinkers and theories
Bigger isn’t better – the renegade ‘Buddhist economics’ of E F Schumacher
What do tropical fish make of the strange creatures who love them so?
Information and communication
The modern world is littered with statistical noise. Here’s how to find the signal
Teaching and learning
The charity that teaches underprivileged kids to humanely hunt their next meal
On the run from COVID-19, an Indigenous family treks deep into the Amazon rainforest