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‘I wondered if she knew I was waiting for her room.’
Adapted from a semi-autobiographical short story by the Canadian writer Mordecai Richler, the celebrated and Oscar®-nominated film The Street (1976) tells the story of a young boy experiencing his grandmother’s slow death while living in a cramped apartment in a Jewish section of Montreal. With a painted-on-glass animation style that evokes the haziness and shadows of childhood memories, the Canadian-American filmmaker Caroline Leaf lets events from two different years bleed into one another, creating a visually absorbing and deeply relatable film that brilliantly explores the conflicting and sometimes perplexing emotions that accompany the death of an elderly family member.
Director and animator: Caroline Leaf
Website: National Film Board of Canada
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Earth science and climate
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Art
‘If you’re creative, why can’t you create a solution?’ One artist’s imaginative activism
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The ancient world
An ancient Roman’s hilarious (and perhaps relatable) response to a social snub
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Ethics
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Death
A hunter’s lyrical reflection on the humbling business of being mortal
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Love and friendship
After his son’s terrorist attack, Azdyne seeks healing – and his granddaughter
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Art
More than breathtaking, ‘The Birth of Venus’ signalled an aesthetic revolution
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Childhood and adolescence
Striking shadow puppetry illuminates a skater kid’s memories of Boy Scout camp
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Values and beliefs
A Zen Buddhist priest voices the deep matters he usually ponders in silence
5 minutes