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The Swiss animator Georges Schwizgebel is known for crafting intricate, shapeshifting works that offer canvas-worthy imagery in every frame. With his rollicking animation Jeu (2006), which translates from French as ‘play’ or ‘game’, he pairs a portion of the Russian composer Sergei Prokofiev’s Concerto for Piano No 2, Opus 16 (1913) with a series of sequences that summon Post-Impressionism in their brushstrokes and rich hues, and M C Escher in their perspective-shifting geometric exploration. Moving between recognisable scenes of concert halls, museums and parks, and moments of abstraction, the piece evokes the overwhelming complexity and breakneck pace of modern life.
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Design and fashion
A ceramicist puts her own bawdy spin on the folk language of pottery
14 minutes
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Animals and humans
Villagers struggle to keep their beloved, endangered ape population afloat
19 minutes
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Art
Radical doodles – how ‘exquisite corpse’ games embodied the Surrealist movement
15 minutes
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Language and linguistics
Why Susan listens to recordings of herself speaking a language she no longer remembers
5 minutes
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Ethics
Plato saw little value in privacy. How do his ideas hold up in the information age?
5 minutes
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Information and communication
‘Astonished and somewhat terrified’ – Victorians’ reactions to the phonograph
36 minutes
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Engineering
From simple motors to levitating trains – how design shapes innovation
23 minutes
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Home
How an artist transformed a dilapidated hunting lodge into a house made of dreams
8 minutes
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Animals and humans
Are zoos and natural history museums born of a desire to understand, or to control?
57 minutes