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The Swiss animator Georges Schwizgebel is known for crafting intricate, shapeshifting works that offer canvas-worthy imagery in every frame. With his rollicking animation Jeu (2006), which translates from French as ‘play’ or ‘game’, he pairs a portion of the Russian composer Sergei Prokofiev’s Concerto for Piano No 2, Opus 16 (1913) with a series of sequences that summon Post-Impressionism in their brushstrokes and rich hues, and M C Escher in their perspective-shifting geometric exploration. Moving between recognisable scenes of concert halls, museums and parks, and moments of abstraction, the piece evokes the overwhelming complexity and breakneck pace of modern life.
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Human rights and justice
Surreal, dazzling visuals form an Iranian expat’s tribute to defiance back home
10 minutes
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Language and linguistics
Do button-pushing dogs have something new to say about language?
9 minutes
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Art
When East met West in the images of an overlooked, original photographer
9 minutes
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Values and beliefs
Why a single tree, uprooted in a typhoon, means so much to one man in Hanoi
7 minutes
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Consciousness and altered states
‘I want me back’ – after a head injury, Nick struggles with his altered reality
7 minutes
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Making
On the Norwegian coast, a tree is transformed into a boat the old-fashioned way
6 minutes
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Animals and humans
One man’s quest to save an orphaned squirrel, as narrated by David Attenborough
14 minutes
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Computing and artificial intelligence
A future in which ‘artificial scientists’ make discoveries may not be far away
9 minutes
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History
Hags, seductresses, feminist icons – how gender dynamics manifest in witches
13 minutes