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The Swiss animator Georges Schwizgebel is known for crafting intricate, shapeshifting works that offer canvas-worthy imagery in every frame. With his rollicking animation Jeu (2006), which translates from French as ‘play’ or ‘game’, he pairs a portion of the Russian composer Sergei Prokofiev’s Concerto for Piano No 2, Opus 16 (1913) with a series of sequences that summon Post-Impressionism in their brushstrokes and rich hues, and M C Escher in their perspective-shifting geometric exploration. Moving between recognisable scenes of concert halls, museums and parks, and moments of abstraction, the piece evokes the overwhelming complexity and breakneck pace of modern life.
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Nature and landscape
‘A culture is no better than its woods’ – what our trees reveal about us, by W H Auden
5 minutes
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Gender
A catchy tune explains the world’s ‘isms’ – according to your mum doing the laundry
5 minutes
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Biology
Butterflies become unrecognisable landscapes when viewed under electron microscopes
4 minutes
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Gender
A filmmaker responds to Lars von Trier’s call for a new muse with a unique application
16 minutes
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Animals and humans
Villagers struggle to keep their beloved, endangered ape population afloat
19 minutes
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Fairness and equality
Visit the small Texas community that lives in the shadow of SpaceX launches
14 minutes
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Film and visual culture
Our world has very different contours when a millimetre is blown up to a full screen
8 minutes
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Beauty and aesthetics
Can you see music in this painting? How synaesthesia fuelled Kandinsky’s art
10 minutes
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Technology and the self
A haunting scene from ‘Minority Report’ inspires a voyage into time and memory
7 minutes