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The Swiss animator Georges Schwizgebel is known for crafting intricate, shapeshifting works that offer canvas-worthy imagery in every frame. With his rollicking animation Jeu (2006), which translates from French as ‘play’ or ‘game’, he pairs a portion of the Russian composer Sergei Prokofiev’s Concerto for Piano No 2, Opus 16 (1913) with a series of sequences that summon Post-Impressionism in their brushstrokes and rich hues, and M C Escher in their perspective-shifting geometric exploration. Moving between recognisable scenes of concert halls, museums and parks, and moments of abstraction, the piece evokes the overwhelming complexity and breakneck pace of modern life.
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Family life
The precious family keepsakes that hold meaning for generations
10 minutes
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Archaeology
What did the first people who entered Tutankhamun’s tomb see?
5 minutes
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Information and communication
Coverage of the ‘balloon boy’ hoax forms a withering indictment of for-profit news
17 minutes
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Childhood and adolescence
Marmar is living through a devastating war – but she’d rather tell you about her new dress
8 minutes
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Computing and artificial intelligence
The ‘cloud’ requires heaps of energy to stay aloft. Could synthetic DNA be the answer?
12 minutes
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Art
A puppeteer makes sense of an overwhelming world by shrinking it down to size
5 minutes
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History
There are fragments of Romani Gypsy history all over the UK – if one knows where to look
3 minutes
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Biology
Brilliant dots of colour form exquisite patterns in this close-up of butterfly wings
3 minutes
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Anthropology
Does Mogi’s future lie with her horses on the Mongolian steppe, or in the city?
16 minutes