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When mundane objects such as cords, keys and cloths are fed into a live webcam, a machine-learning algorithm ‘sees’ brilliant colours and images such as seascapes and flowers instead. The London-based, Turkish-born visual artist Memo Akten applies algorithms to the webcam feed as a way to reflect on the technology and, by extension, on ourselves. Each instalment in his Learning to See series features a pre-trained deep-neural network ‘trying to make sense of what it sees, in context of what it’s seen before’. In Gloomy Sunday, the algorithm draws from tens of thousands of images scraped from the Google Arts Project, an extensive collection of super-high-resolution images of notable artworks. Set to the voice of the avant-garde singer Diamanda Galás, the resulting video has unexpected pathos, prompting reflection on how our minds construct images based on prior inputs, and not on precise recreations of the outside world.
Video by Memo Akten
Music: Diamanda Galas – Gloomy Sunday
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Language and linguistics
Why Susan listens to recordings of herself speaking a language she no longer remembers
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Ethics
Plato saw little value in privacy. How do his ideas hold up in the information age?
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Biology
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Information and communication
‘Astonished and somewhat terrified’ – Victorians’ reactions to the phonograph
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Engineering
From simple motors to levitating trains – how design shapes innovation
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Animals and humans
Are zoos and natural history museums born of a desire to understand, or to control?
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Archaeology
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Family life
The migrants missing in Mexico, and the mothers who won’t stop searching for them
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Virtues and vices
Why Jean-Jacques Rousseau and Adam Smith were divided on the virtues of vanity
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