Become a Friend of Aeon to save articles and enjoy other exclusive benefits

Make a donation
×
Newsletter Privacy Policy

Aeon email newsletters are issued by the not-for-profit, registered charity Aeon Media Group Ltd (Australian Business Number 80 612 076 614). This Email Newsletter Privacy Statement pertains to the personally identifying information you voluntarily submit in the form of your email address to receive our email newsletters

More generally, when visiting the Aeon site you should refer to our site Privacy Policy here.

This Email Newsletter Privacy Statement may change from time to time and was last revised 18 May, 2020.

By clicking ‘subscribe’ you agree to the following:

  • We will use the email address you provide to send you daily and/or weekly emails (depending on your selection). We also send occasional donation requests and, no more than once a year, reader surveys.
  • The email address/es you provide will be transferred to our external marketing automation service ‘MailChimp’ for processing in accordance with their Privacy Policy and Terms. We use MailChimp to issue our newsletters, donation requests and reader surveys. We have no control over, and assume no responsibility for, the conduct, practices or privacy policies of MailChimp.

Unsubscribing

You can change your mind at any time by clicking the ‘unsubscribe’ link in the footer of emails you receive from us, or by contacting us at support@aeon.co 

If you want to review and correct the personal information we have about you, you can click on ‘update preferences’ in the footer of emails you receive from us, or by contacting us at support@aeon.co

Security of your personal information

We are committed to ensuring that your information is secure. We have taken reasonable measures to protect information about you from loss, theft, misuse or unauthorised access, disclosure, alteration and destruction. No physical or electronic security system is impenetrable however and you should take your own precautions to protect the security of any personally identifiable information you transmit. We cannot guarantee that the personal information you supply will not be intercepted while transmitted to us or our marketing automation service Mailchimp.

Sharing your personal information 

We will not disclose your personal information except: (1) as described by this Privacy Policy (2) after obtaining your permission for a specific use or disclosure or (3) if we are required to do so by a valid legal process or government request (such as a court order, a search warrant, a subpoena, a civil discovery request, or a statutory requirement). We will retain your information for as long as needed in light of the purposes for which is was obtained or to comply with our legal obligations and enforce our agreements.

Access to your personal information

You may request a copy of the personal information we hold about you by submitting a written request to support@aeon.co We may only implement requests with respect to the personal information associated with the particular email address you use to send us the request. We will try and respond to your request as soon as reasonably practical. When you receive the information, if you think any of it is wrong or out of date, you can ask us to change or delete it for you.

People in order: age

3 minutes

Daily life in Egypt: ancient and modern

27 minutes

The trouble with love and sex

50 minutes

Don’t think twice

12 minutes

EXCLUSIVE

Ping pong Sufi

11 minutes

Ageing to the beat of their own drums – from one to 100 years old

An extraordinarily simple premise deftly executed, this video arranges a diverse group of 100 people in ascending order from age one to 100. With a snare drum to mark the progression, the resulting short film, People in Order: Age, is imbued with humour and humanity. In the words of the filmmakers, the project is ‘like a list of government statistics where the citizens […] have broken out from behind the figures on the page. The people on the screen stop us from seeing them as numbers. Even in single-second bursts there are worlds of personality stretching out in front of us.’

Directors: Lenka Clayton, James Price

Stunning century-old footage of the Nile valley carries echoes from the ancient past

Released by New York’s Metropolitan Museum of Art in 1925, this short film features nearly century-old footage of daily life in the Nile valley. With a distinctly Western perspective, the piece establishes similarities between early 20th-century Egypt and Pharaonic Egyptian life – including mud brick architecture, preindustrial farming and weaving techniques, and the centrality of festivals and the river to the region’s culture. As hinted at by the introductory titles, these through-lines from ancient past to then-present are perhaps overstated, with centuries of Islamisation and Arabisation following the conquest of Roman Egypt in the 7th century CE barely acknowledged. Despite this shortcoming, the refurbished footage is still a visual thrill, providing an extraordinary window into life along the Nile valley as it existed at the dawn of anthropological filmmaking.

Video by The Metropolitan Museum of Art

Cinematographers: Harry Burton, Albert M Lythgoe

‘What does sex mean to you?’ A fly-on-the-wall view of relationship counselling

Iain and Susan have been together for 33 years but they can’t seem to have a conversation without it spiralling into an argument. Dave longs for a loving a relationship, but lacks the confidence to ask anyone out. Ian and Mandy are struggling with personal and sexual intimacy after Ian is diagnosed with a tumour. With animated avatars protecting the anonymity of the participants, The Trouble With Love and Sex (2011) explores these stories of relationship troubles via recordings from inside the walls of Relate – a UK charity that provides couples counselling. Allowing glimpses into a world often only experienced firsthand or in fiction, the UK director Zac Beattie’s touching film approaches the complex business of intimacy, loneliness and therapy with due nuance and care, revealing the many ways that relationships shape the human experience – for better or worse.

Director: Zac Beattie

Animation Director: Jonathan Hodgson

As dementia trims the tree of knowledge in John’s brain, music holds firm

At the age of 24, John Fudge took a violent fall while climbing the white cliffs of Dover in the south of England, splitting open his head and losing consciousness. The extent of his injuries weren’t revealed until decades later, when doctors decided to perform a brain scan after John slipped into a deep depression. The results revealed extensive brain damage, including a progressive form of dementia. Now, 10 years on from his diagnosis, John’s wife Geraldine compares his brain to an oak tree, its limbs of knowledge being slowly trimmed away, causing John great mental anguish. His only relief comes when he’s able to live in the moment, such as when he plays guitar and sings – his musical abilities being an as-yet untrimmed branch. Don’t Think Twice offers an insight into John’s life, including visits from Jon, a young volunteer who joins him for music sessions at home. An affecting and unusually honest portrait of dementia, the UK director Harry Hitchens leaves his viewers to find relief and peace, like John, in the musical moments tucked in between difficult realities.

Director: Harry Hitchens

Producer: Chloe Abrahams

Website: Everyday Studio

‘I’m just measuring myself with myself’ – ping pong as a route to Sufi spiritual practice

A practitioner of the inward-looking form of Islam known as Sufism, Noah Nazir pursues self-improvement as a means of connecting with God. This is especially true at the ping pong table at his local Sufi centre in Sheffield, where Nazir is ever in search of new and creative ways to up his game. And, as he relays in Ping Pong Sufi, his striving has yielded some impressive results. Despite his age and a recent stroke, he’s one of the centre’s best players – even though, he stresses, he views his only competition as from within, commenting: ‘I’m just measuring myself with myself.’ The UK filmmakers Rachel Genn and Connor Matheson cultivate an appropriately meditative mood in their short documentary, made in 2019, capturing Nazir as he seeks transcendence through ping pong and prayer. The result is an illuminating and novel window into Sufi spiritual practice, which is given a musical lift by the multitalented Nazir, who also composed the song that plays over the closing credits.

Directors: Rachel Genn, Connor Matheson

Ageing to the beat of their own drums – from one to 100 years old

An extraordinarily simple premise deftly executed, this video arranges a diverse group of 100 people in ascending order from age one to 100. With a snare drum to mark the progression, the resulting short film, People in Order: Age, is imbued with humour and humanity. In the words of the filmmakers, the project is ‘like a list of government statistics where the citizens […] have broken out from behind the figures on the page. The people on the screen stop us from seeing them as numbers. Even in single-second bursts there are worlds of personality stretching out in front of us.’

Directors: Lenka Clayton, James Price

Aeon is not-for-profit
and free for everyone
Make a donation
Get Aeon straight
to your inbox
Join our newsletter

French chefs take part in a videoconference with President Emmanuel Macron at the Élysée Palace in Paris, 24 April 2020. Photo by Ludovic Marin/Reuters

Essay/
Technology and the self
Zoom and gloom

Sitting in a videoconference is a uniformly crap experience. Instead of corroding our humanity, let’s design tools to enhance it

Robert O’Toole

Władysławowo beach, Poland, August 2020. Photo by Kacper Kowalski/Panos Pictures

Essay/
Neuroscience
How close is too close?

The neuroscience of peripersonal space explores how you create, defend or relax the buffer zone between you and the world

Frédérique de Vignemont & Colin Klein