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I kill

9 minutes

This adorable sea slug is a sneaky little thief

4 minutes

The human voice

3 minutes

Mobilize

4 minutes

Frames of reference

27 minutes

Is a hands-on approach to animal slaughter more humane?

Warning: This video features numerous instances of animals being killed and butchered.

I Kill follows a New Zealand slaughterman named Beatle as he travels from farm to farm, killing pigs, sheep and cattle with a single gunshot to the skull, and dressing their carcasses before delivering them to butchers. Though his relaxed attitude towards the deaths of these animals might make him appear detached from the act of killing, he’s thoughtful and principled about his profession. He describes his methods as an honest, informed and humane way to avoid the stress and suffering dispensed in slaughterhouses, and as simply the best way to provide meat for human consumption.

For a very different perspective on animal slaughter, read ‘A “humanely” Killed Animal Is Still Killed – and That’s Wrong’ by Anna Charlton and Gary Francione.

Director: David White

Editor: Paul Wedel

Website: White Balance Pictures

Is a hands-on approach to animal slaughter more humane?

Warning: This video features numerous instances of animals being killed and butchered.

I Kill follows a New Zealand slaughterman named Beatle as he travels from farm to farm, killing pigs, sheep and cattle with a single gunshot to the skull, and dressing their carcasses before delivering them to butchers. Though his relaxed attitude towards the deaths of these animals might make him appear detached from the act of killing, he’s thoughtful and principled about his profession. He describes his methods as an honest, informed and humane way to avoid the stress and suffering dispensed in slaughterhouses, and as simply the best way to provide meat for human consumption.

For a very different perspective on animal slaughter, read ‘A “humanely” Killed Animal Is Still Killed – and That’s Wrong’ by Anna Charlton and Gary Francione.

Director: David White

Editor: Paul Wedel

Website: White Balance Pictures

Far from sluggish: the remarkable sea creature that weaponises its dinner

Nudibranchs, also commonly known as sea slugs, are a group of snail-like sea invertebrates. Despite appearing more or less defenceless, nudibranchs broadcast their whereabouts with their flamboyant, brightly coloured bodies. From an evolutionary standpoint, it might seem like a curious move, but their luminous skin actually serves as a warning to would-be predators to let them know they’d make for a dangerous meal. While some nudibranchs accumulate toxins and other defensive chemicals in their bodies, others – like the star of this film – have an even craftier method of warding off enemies. This remarkable short from the science and nature documentary series Deep Look details the clever way that some nudibranchs protect themselves by stealing defences from stinging sea animals known as hydroids. You can read more about this video at KQED Science.

Video by KQED Science

Producer and Writer: Josh Cassidy

Narrator and Writer: Lauren Sommer

‘My God! Where’s the human voice?’ A charming reflection on our pre-recorded world

From to Siri to subways to customer service calls, pre-recorded and robotic voices are becoming an increasingly inescapable part of the human experience. In this short animation from StoryCorps, the US author, historian and broadcaster Studs Terkel (1912–2008) reflects on this trend away from human interaction and toward disembodied sentence fragments. Recalling a scene from a tram ride at Atlanta airport with exceeding wit and charm, he considers the richness of the human voice, and what we lose when it’s replaced.

Director: The Rauch Brothers

Producer: Lizzie Jacobs

From canoes to cities, a frenetic celebration of the power of indigenous Canadians

In her short film Mobilize, Caroline Monnet – a Canadian filmmaker and artist of French and Algonquin origin – uses archival documentary footage to honour the restless diligence of Canada’s indigenous people. Given access to more than 700 films from the National Film Board of Canada for the project, Monnet crafts a fervent visual collage that spans the country’s rural north, where indigenous craftsmen are seen fashioning canoes, to scenes from skyscraper construction in the urban south. According to Monnet, in making the film, she sought to explore the trajectory of her own family’s history, as well as to simply bombard viewers with ‘images of indigenous people kicking ass on screen’. Heightened by a feverish score from the Inuk artist Tanya Tagaq, Monnet’s film offers a deeply original and personal perspective on the indigenous Canadian experience.

Director: Caroline Monnet

Score: Tanya Tagaq

Producer: Anita Lee

Website: National Film Board of Canada

This clever and stylish 1960 film is the most fun you’ll ever have at a physics lecture

Directed by the pioneering UK documentarian Richard Leacock, Frames of Reference is a slick and surreal dive into physics fundamentals and, in particular, why everything is indeed relative. Produced for high-school physics classes, the 1960 film features the physics professors Patterson Hume and Donald Ivey of the University of Toronto explaining, through an intertwined series of lectures and clever demonstrations, how frames of reference shape perspective. Using rotating sets, camera tricks and a visual style that suggests the film noir of Alfred Hitchcock, this is perhaps the most peculiarly entertaining half-hour physics lecture you’ll ever have.

Director: Richard Leacock

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Essay/
History of Ideas
Dignity is delicate

Human dignity is a concept with remarkably shallow historical roots. Is that why it is so presently endangered?

Remy Debes

Essay/
Meaning & the Good Life
On going on and on and on

The fantasy of living forever is just a fig leaf for the fear of death – and comes at great personal cost

Paul Sagar