Is reboot culture out of control? Or are we kidding ourselves that anything is original?

In 1903, Mark Twain defended his friend and fellow author Helen Keller against charges of plagiarism, writing in a letter: ‘The kernel, the soul – let us go further and say the substance, the bulk, the actual and valuable material of all human utterances – is plagiarism.’ Of course, even Twain’s screed against the concept of originality was hardly original. As the ancient Roman playwright Terence notes in his comedy The Eunuch: ‘Nothing has yet been said that’s not been said before.’ In this short firm, the US filmmaker Drew Christie turns a moviegoer’s complaint to a box-office attendant about a lack of originality in Hollywood into a madcap exploration of appropriation, adaptation and plagiarism in art and, more generally, human thought. Deploying hand-drawn animation and a stream of Wikipedia articles to droll comedic effect, the film approaches its topic in a manner you might just call ‘original’ – if you still cling to such silly notions.