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‘Just like the bad things, the beautiful things are temporary too.’
Roberto Olivera was raised in poverty in southern California, where he worked the tomato fields alongside his mother and abusive stepfather, migrant workers from Mexico. Now in his 60s, financially successful and with a family of his own, Olivera has grown to understand the meaning behind his mother’s frequent refrain: ‘La vida es sufrir’ (‘Life is suffering’). With an understated melancholy, Field Song pairs Olivera’s poignant reflections with views of southern California’s agricultural landscapes, presenting hardship as both temporary and timeless.
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Stories and literature
Robert Frost’s poetic reflection on youth, as read in his unforgettable baritone
5 minutes
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Film and visual culture
‘Bags here are rarely innocent’ – how filmmakers work around censorship in Iran
8 minutes
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Language and linguistics
Closed captions suck. Here’s one artist’s inventive project to make them better
8 minutes
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Thinkers and theories
A rare female scholar of the Roman Empire, Hypatia lived and died as a secular voice
5 minutes
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Architecture
The celebrated architect who took inspiration from sitting, waiting and contemplating
29 minutes
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Anthropology
Why are witchcraft accusations so common across human societies?
4 minutes
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Subcultures
Drop into London’s eclectic skate scene, where newbies and old-timers find community
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Wellbeing
Born in China, Zee seeks a gender-affirming life in the American Midwest
11 minutes
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Rituals and celebrations
A whale hunt is an act of prayer for an Inuit community north of the Arctic Circle
8 minutes