Get curated editors’ picks, peeks behind the scenes, film recommendations and more.
Often considered the greatest Canadian architect of the 20th century, Arthur Erickson (1924-2009) is celebrated for his modernist structures that span the globe from Kuwait to Germany, and continue to define the contours of his home city of Vancouver. In this portrait of Erickson from 1981, he explains how his work draws from a wide range of influences cultivated over the course of his life, including the ‘organic architecture’ of Frank Lloyd Wright, the gardens of Japan and his personal embrace of contradiction. The film takes viewers to some of Erickson’s most significant and notable designs, including the Museum of Anthropology at the University of British Columbia, the Robson Square civic centre in the heart of Vancouver and his own humble one-room home. From this brief tour and Erickson’s own words, a distinct aesthetic philosophy emerges – one centred on creating work in harmony with its surroundings, and an openness to new perspectives.
Director: Jack Long
Producers: George Johnson, Jennifer Torrance
Website: National Film Board of Canada
video
Sports and games
Havana’s streets become racetracks in this exhilarating portrait of children at play
5 minutes
video
Spirituality
Through rituals of prayer, a monk cultivates a quietly radical concept of freedom
4 minutes
video
Design and fashion
A ceramicist puts her own bawdy spin on the folk language of pottery
14 minutes
video
Art
Radical doodles – how ‘exquisite corpse’ games embodied the Surrealist movement
15 minutes
video
Language and linguistics
Why Susan listens to recordings of herself speaking a language she no longer remembers
5 minutes
video
Ethics
Plato saw little value in privacy. How do his ideas hold up in the information age?
5 minutes
video
Home
How an artist transformed a dilapidated hunting lodge into a house made of dreams
8 minutes
video
Animals and humans
Are zoos and natural history museums born of a desire to understand, or to control?
57 minutes
video
Virtues and vices
Why Jean-Jacques Rousseau and Adam Smith were divided on the virtues of vanity
5 minutes