Support Aeon

‘I support Aeon because I support the spreading of wisdom.’

Tanner F, USA, Friend of Aeon

Aeon is a registered charity committed to the spread of knowledge and a cosmopolitan worldview.
But we can’t do it without you.

Support Aeon

Aeon is a registered charity committed to the spread of knowledge and a cosmopolitan worldview. Our mission is to create a sanctuary online for serious thinking.

No ads, no paywall, no clickbait – just thought-provoking ideas from the world’s leading thinkers, free to all. But we can’t do it without you.

Support Aeon

EXCLUSIVE

Walter Potter: the man who married kittens

19 minutes

Long before internet posts of cute animals, there were Victorian taxidermy tableaux

Born in the English village of Bramber in 1835, the Victorian-era taxidermist Walter Potter created a collection of anthropomorphic dioramas that continued to attract thousands of visitors until it was controversially dispersed at auction in 2003. His intricately detailed scenes of stuffed little animals frozen in distinctly human situations – kittens at a wedding, frogs in a playground, rabbits in a classroom – tend to be dismissed as creepy or kitsch by the art establishment. But that attitude is resented as snobbery by Potter collectors, who argue that his curious creations are inspired Victorian artifacts worthy of veneration and preservation. A portrait both of popular entertainment from a bygone age and of those who prize it as art, Walter Potter: The Man Who Married Kittens was commissioned by Brooklyn’s Morbid Anatomy Museum and played at the 2015 Tribeca Film Festival.

Director: Ronni Thomas

Producer: Joanna Ebenstein

Executive Producers: Tonya Hurley, Tracy Hurley Martin

Editor: Will Ellis

Photographer: Robert Carnevale

Composer: Stephen Coates

Website: Morbid Anatomy Museum

Get Aeon straight
to your inbox
Join our newsletter Sign up
Follow us on
Facebook
Like

‘Aeon is what readers and writers dream about. It is wide in scope, without ever being shallow. It offers stimulating issues, yet never seeking to be tantalising.

Publishing at its best. I love it.’

Professor Luciano Floridi, University of Oxford

‘Aeon is one of the most consistently great publications on the internet.

My life would be poorer without it.’

Assistant Professor Lee Vinsel, Virginia Tech

‘Every morning I look forward to seeing what’s in your email and there isn’t a day that goes by without reading or watching something you guys have published.

It’s like an oasis of sanity in a world gone mad.’

Jack D, USA, Friend of Aeon

‘Thought-provoking, eclectic, open-minded and user friendly.

Aeon is like no other site on the internet.’

Larry D, UK, Friend of Aeon

‘Aeon, for me, continues to be one of the best places to spend a quiet afternoon, in the company of some of the most brilliant minds around.’

Shivam C, India, Friend of Aeon

Aeon is a registered charity committed to the spread of knowledge. Our mission is to create a sanctuary online for serious thinking.
But we can’t do it without you.

Aeon is a registered charity committed to the spread of knowledge and a cosmopolitan worldview.
But we can’t do it without you.

Support Aeon

Essay/
Art
Is it really a Leonardo?

Forensics can’t be sure. Provenance can be fudged. This is why the expert eye still rules the game of art authentication

Noah Charney

Essay/
Cultures & Languages
Black Achilles

The Greeks didn’t have modern ideas of race. Did they see themselves as white, black – or as something else altogether?

Tim Whitmarsh