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Nominated for an Academy Award in 1965, the late British director Geoffrey Jones’s Snow uses a kinetic visual style and percussive, locomotive-inspired music to reimagine how British Railways workers coped with the ‘Big Freeze’ of 1962-63, one of the UK’s coldest winters on record. Expertly edited to highlight the contrast between the comforts of train passengers and the tireless labour of the workmen, Jones’s film illustrates the tremendous efforts necessary to keep civilisation moving in the face of nature’s enormous indifference.
Director: Geoffrey Jones
Producer: Edgar Anstey
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Ethics
Plato saw little value in privacy. How do his ideas hold up in the information age?
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Information and communication
‘Astonished and somewhat terrified’ – Victorians’ reactions to the phonograph
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Engineering
From simple motors to levitating trains – how design shapes innovation
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Home
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Animals and humans
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Archaeology
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Family life
The migrants missing in Mexico, and the mothers who won’t stop searching for them
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Ecology and environmental sciences
The tree frog die-off that sparked a global mystery – and revealed a dark truth
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Beauty and aesthetics
In art, the sublime is a feedback loop, evolving with whatever’s next to threaten us
9 minutes