The Russian artists Vitaly Komar and Alexander Melamid (aka ‘Komar and Melamid’) began their art careers generating state-sanctioned Socialist Realism – that is to say, the kind of reverent, red-tinted imagery that comes to mind when you picture Soviet propaganda posters. Soon, however, they found themselves enmeshed in a subversive underground art movement, creating ironic, subversive and often tragicomic imagery that resulted in one of their exhibitions being literally bulldozed by their totalitarian government. Created on the occasion of a retrospective of their work at the Zimmerli Art Museum at Rutgers University in New Jersey in 2023, this short film tells the story of how the duo rose to prominence in the early 1970s before ultimately falling out over artistic and philosophical differences. In doing so, the US-based director Sam Vladimirsky explores how two rather self-serious institutions – the Soviet government and the US art world – responded to their provocations, and the irrepressible nature of creativity and expression.
Director: Sam Vladimirsky
Websites: State of the Arts, Whimsy
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Fairness and equality
There’s a dirty side to clean energy in the metal-rich mountains of South Africa
10 minutes
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Food and drink
The passage of time is a peculiar thing in a 24-hour diner
14 minutes
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Art
Background music was the radical invention of a trailblazing composer
17 minutes
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Anthropology
For an Amazonian female shaman, ayahuasca ceremonies are a rite and a business
30 minutes
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Metaphysics
What do past, present and future mean to a philosopher of time?
55 minutes
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Gender
A filmmaker responds to Lars von Trier’s call for a new muse with a unique application
16 minutes
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Computing and artificial intelligence
Why large language models are mysterious – even to their creators
8 minutes
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Sports and games
Havana’s streets become racetracks in this exhilarating portrait of children at play
5 minutes
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Spirituality
Through rituals of prayer, a monk cultivates a quietly radical concept of freedom
4 minutes