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Drawing from West African, Haitian and European colonial influences, jazz funerals are a tradition almost entirely exclusive to New Orleans, and as culturally rich and multifaceted as the city itself. The processions generally open with a brass band performing solemn marches and dirges as family and friends accompany the deceased to a burial. Eventually, the band breaks out into more upbeat and swinging numbers, allowing mourners cathartic release in music and dance, and onlookers to form a ‘second line’ and join the festivities. In what director Caitlyn Greene describes as ‘a love letter to New Orleans’, Big Daddy’s Last Dance captures the arc of a jazz funeral, in all its reverent, jubilant glory.
Directors: Caitlyn Greene, Jon Kasbe
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Gender
A catchy tune explains the world’s ‘isms’ – according to your mum doing the laundry
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Food and drink
The passage of time is a peculiar thing in a 24-hour diner
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Art
Radical doodles – how ‘exquisite corpse’ games embodied the Surrealist movement
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Beauty and aesthetics
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Film and visual culture
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Making
Forging a cello from pieces of wood demands its own form of virtuosity
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Physics
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Pleasure and pain
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Biology
An elegy for a dying microbe explores what we really mean by ‘death’
9 minutes