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Drawing from West African, Haitian and European colonial influences, jazz funerals are a tradition almost entirely exclusive to New Orleans, and as culturally rich and multifaceted as the city itself. The processions generally open with a brass band performing solemn marches and dirges as family and friends accompany the deceased to a burial. Eventually, the band breaks out into more upbeat and swinging numbers, allowing mourners cathartic release in music and dance, and onlookers to form a ‘second line’ and join the festivities. In what director Caitlyn Greene describes as ‘a love letter to New Orleans’, Big Daddy’s Last Dance captures the arc of a jazz funeral, in all its reverent, jubilant glory.
Directors: Caitlyn Greene, Jon Kasbe
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Animals and humans
Are zoos and natural history museums born of a desire to understand, or to control?
57 minutes
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Virtues and vices
Why Jean-Jacques Rousseau and Adam Smith were divided on the virtues of vanity
5 minutes
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Beauty and aesthetics
In art, the sublime is a feedback loop, evolving with whatever’s next to threaten us
9 minutes
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Family life
One family’s harrowing escape from postwar Vietnam, told in a poignant metaphor
10 minutes
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Film and visual culture
Our world has very different contours when a millimetre is blown up to a full screen
8 minutes
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Bioethics
What a 1970 experiment reveals about the possibility and perils of ‘head transplants’
6 minutes
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History of technology
Replicating Shakespearean-era printing brings its own dramas and comedy
19 minutes
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Animals and humans
The wild tale of a young animal keeper, an angry tiger and a torn circle net
10 minutes
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Beauty and aesthetics
Can you see music in this painting? How synaesthesia fuelled Kandinsky’s art
10 minutes