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Drawing from West African, Haitian and European colonial influences, jazz funerals are a tradition almost entirely exclusive to New Orleans, and as culturally rich and multifaceted as the city itself. The processions generally open with a brass band performing solemn marches and dirges as family and friends accompany the deceased to a burial. Eventually, the band breaks out into more upbeat and swinging numbers, allowing mourners cathartic release in music and dance, and onlookers to form a ‘second line’ and join the festivities. In what director Caitlyn Greene describes as ‘a love letter to New Orleans’, Big Daddy’s Last Dance captures the arc of a jazz funeral, in all its reverent, jubilant glory.
Directors: Caitlyn Greene, Jon Kasbe
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Sports and games
Havana’s streets become racetracks in this exhilarating portrait of children at play
5 minutes
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Spirituality
Through rituals of prayer, a monk cultivates a quietly radical concept of freedom
4 minutes
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Design and fashion
A ceramicist puts her own bawdy spin on the folk language of pottery
14 minutes
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Art
Radical doodles – how ‘exquisite corpse’ games embodied the Surrealist movement
15 minutes
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Language and linguistics
Why Susan listens to recordings of herself speaking a language she no longer remembers
5 minutes
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Ethics
Plato saw little value in privacy. How do his ideas hold up in the information age?
5 minutes
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Home
How an artist transformed a dilapidated hunting lodge into a house made of dreams
8 minutes
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Animals and humans
Are zoos and natural history museums born of a desire to understand, or to control?
57 minutes
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Virtues and vices
Why Jean-Jacques Rousseau and Adam Smith were divided on the virtues of vanity
5 minutes