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Drawing from West African, Haitian and European colonial influences, jazz funerals are a tradition almost entirely exclusive to New Orleans, and as culturally rich and multifaceted as the city itself. The processions generally open with a brass band performing solemn marches and dirges as family and friends accompany the deceased to a burial. Eventually, the band breaks out into more upbeat and swinging numbers, allowing mourners cathartic release in music and dance, and onlookers to form a ‘second line’ and join the festivities. In what director Caitlyn Greene describes as ‘a love letter to New Orleans’, Big Daddy’s Last Dance captures the arc of a jazz funeral, in all its reverent, jubilant glory.
Directors: Caitlyn Greene, Jon Kasbe
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History of technology
Replicating Shakespearean-era printing brings its own dramas and comedy
19 minutes
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Animals and humans
The wild tale of a young animal keeper, an angry tiger and a torn circle net
10 minutes
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Beauty and aesthetics
Can you see music in this painting? How synaesthesia fuelled Kandinsky’s art
10 minutes
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Knowledge
Why it takes more than a lifetime to truly understand a single meadow
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War and peace
‘She is living on in many hearts’ – Otto Frank on the legacy of his daughter’s diary
12 minutes
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Art
Why Diego Velázquez needed a lifetime to paint his enigmatic masterpiece
31 minutes
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Political philosophy
The radical activist couple who fought for social change in the courtroom
21 minutes
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Technology and the self
A haunting scene from ‘Minority Report’ inspires a voyage into time and memory
7 minutes
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Family life
The stream-of-consciousness thoughts and memories that emerge while cooking a meal
5 minutes