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Drawing from West African, Haitian and European colonial influences, jazz funerals are a tradition almost entirely exclusive to New Orleans, and as culturally rich and multifaceted as the city itself. The processions generally open with a brass band performing solemn marches and dirges as family and friends accompany the deceased to a burial. Eventually, the band breaks out into more upbeat and swinging numbers, allowing mourners cathartic release in music and dance, and onlookers to form a ‘second line’ and join the festivities. In what director Caitlyn Greene describes as ‘a love letter to New Orleans’, Big Daddy’s Last Dance captures the arc of a jazz funeral, in all its reverent, jubilant glory.
Directors: Caitlyn Greene, Jon Kasbe
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Nature and landscape
California’s landscapes provide endless inspiration for a woodcut printmaker
10 minutes
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Virtues and vices
Why Bennie tried to disappear, and what happened when he was found decades later
16 minutes
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Animals and humans
Join seabirds as they migrate, encountering human communities along the way
13 minutes
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Stories and literature
Two variants of a Hindu myth come alive in an animated ode to Indian storytelling
14 minutes
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Food and drink
The passage of time is a peculiar thing in a 24-hour diner
14 minutes
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Art
Background music was the radical invention of a trailblazing composer
17 minutes
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Anthropology
For an Amazonian female shaman, ayahuasca ceremonies are a rite and a business
30 minutes
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Metaphysics
What do past, present and future mean to a philosopher of time?
55 minutes
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Gender
A filmmaker responds to Lars von Trier’s call for a new muse with a unique application
16 minutes