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The cruise industry as it exists today – somewhat affordable, aggressively fun, indulgent by design – is a relatively new phenomenon, rooted in the 1960s, when passenger ships struggled to compete with air travel. After a pivot to all-inclusive pleasure voyages, cruising is now a $45 billion industry, beloved by some for its budget-friendly luxuries and amenities, and bemoaned by others for its environmental toll, treatment of workers, and – as highlighted by the COVID-19 pandemic – health risks.
The observational documentary All Inclusive drops viewers head-first into the strange rituals of tableside conga lines, captain meet-and-greets and pool cannonball contests that characterise the cruise experience. While the Swiss director Corina Schwingruber Ilić’s tongue-in-cheek tone permeates throughout, the film offers more than just an invitation to gawk, as ‘fun’ plays out in a series of over-the-top pastimes, hinting at the economic and social stratification between guests and workers.
A song of ice, fire and jelly – exploring the physics and history of the trumpet
Tour the European architecture that dreamed of a wondrous, fictitious China
Trek alongside spiritual pilgrims on a treacherous journey across Pakistan
Thinkers and theories
Photographs offer a colonialist window to the past – one that must be challenged
Animals and humans
An artist and ants collaborate on an exhibit of ‘tiny Abstract Expressionist paintings’
How a curious question about colouring maps changed mathematics forever
Meaning and the good life
The world turns vivid, strange and philosophical for one plane crash survivor
The rise and fall of Kowloon Walled City, Hong Kong’s infamous urban monolith
Inside the unique creative space where ‘outsider’ artists find their form