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The cruise industry as it exists today – somewhat affordable, aggressively fun, indulgent by design – is a relatively new phenomenon, rooted in the 1960s, when passenger ships struggled to compete with air travel. After a pivot to all-inclusive pleasure voyages, cruising is now a $45 billion industry, beloved by some for its budget-friendly luxuries and amenities, and bemoaned by others for its environmental toll, treatment of workers, and – as highlighted by the COVID-19 pandemic – health risks.
The observational documentary All Inclusive drops viewers head-first into the strange rituals of tableside conga lines, captain meet-and-greets and pool cannonball contests that characterise the cruise experience. While the Swiss director Corina Schwingruber Ilić’s tongue-in-cheek tone permeates throughout, the film offers more than just an invitation to gawk, as ‘fun’ plays out in a series of over-the-top pastimes, hinting at the economic and social stratification between guests and workers.
Emergency first responders meet chaos with dissonant calm in this gripping short
The ancient world
Not a lost kingdom but a parable – how to read Athens in Plato’s story of Atlantis
Meaning and the good life
Albert Camus built a philosophy of humanity on a foundation of absurdity
When two punk bands came to a psychiatric hospital, beautiful chaos ensued
Design and fashion
Gear up for a stylish celebration of vintage motorcycle design
The ancient world
A balanced account of Nero’s life reveals the ‘editing and destruction’ of history-making
Film and visual culture
Shoddy filmmaking meets the miracle of life in a police training film turned cult classic
Human rights and justice
The buzzes, clanks and whirrs of prison life form a meditation on freedom
Cognition and intelligence
How a ‘periodic table’ of animal intelligence could help to root out human bias