Sam and the plant next door

23 minutes

Neurosymphony

2 minutes

Hunting for Hockney

3 minutes

Hurricane Katrina, frame by frame

6 minutes

A woman like me

9 minutes

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To fight a nearby nuclear plant, 11-year-old Sam must win his own ethical battle

Childhood offers no shortage of potential anxieties, from fitting in with peers, to succeeding in school, to dealing with parents. Eleven-year-old Sam’s hopes, fears and interests, however, are rather different from those of most of his classmates: Hinkley Point C, Britain’s largest nuclear power plant is going up next door to his home in Somerset, England, and Sam is deeply concerned about its effect on the environment – especially the marine life off the coast. Between discussing the the potential for a surprise war or the values of veganism with a friend, Sam is consumed by his dream of becoming a marine biologist. Perhaps he can protect the fish threatened by the plant? The problem is, the private schools that Sam thinks might best set him up for the profession are enormously expensive, and his parents don’t have the money. A conundrum arises for the exceedingly ethical Sam: Should he accept a contribution from the company that owns the plant to help his family offset the high cost of school? Constructed with nuance and care by the Copenhagen-based director Ömer Sami, Sam and the Plant Next Door (2019) is an affectionate exploration of a precocious childhood and what it’s like to have strong convictions at odds with the world around you.

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See and hear the human brain as you’ve never experienced it before

The Laboratory for NeuroImaging of Coma and Consciousness (NICC) at Massachusetts General Hospital in Boston studies the process of recovering consciousness after traumatic brain injuries. Using more than 100 hours of MRI scans of a human brain unaffected by neurological disease or traumatic brain injuries, a team at the NICC compiled the highest-resolution rendering of a full human brain on record, detecting objects smaller than 0.1 millimetres. Neurosymphony, exclusive to Aeon, explores three distinct perspectives on the brain, using videos of the scans made freely available by the NICC. The video pairs the imagery with an excerpt from the album Chapel by the US electronic musician and music-cognition researcher Grace Leslie, in which she converts her brainwaves into music. Beyond providing an unprecedented glimpse into the intricacies of the human brain, the NICC team hopes that these images will assist other researchers in identifying abnormalities associated with complex brain conditions such as coma and depression.

Via Kottke

Editor: Adam D’Arpino

Composer: Grace Leslie

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A dreamy animated tale of grief, friendship and a road trip to David Hockney’s house

‘You were too young to lose your mum. And we were too young to be organising a funeral.’

When her friend’s mother died, the UK filmmaker Alice Dunseath and her friend set out on an unplanned road trip through Yorkshire, mostly because they didn’t know what else to do. The only destination they gave themselves was the house of the artist David Hockney, supposedly somewhere in the town of Bridlington. Dunseath’s brief animation echoes some of Hockney’s signature stylistic flourishes, including dreamlike landscapes and saturated colours, but her narration offers an arresting counterpoint to the images – a simple, aching account of how grief can both heighten and numb the senses, render words meaningful and meaningless, and make goals simultaneously important and absurd.

Video by Alice Dunseath

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Who is ‘looting’ and who is ‘finding food’? How image gatekeepers shape the news

In August 2005, Alysia Burton Steele was just two months into her job as a photo editor on The Dallas Morning News when she decided to dispatch the photographer Irwin Thompson to New Orleans to document the impact of Hurricane Katrina. Her newspaper’s bold journalistic work went on to win a Pulitzer Prize for Breaking News Photography in 2006. In this short interview, Burton Steele describes how her team approached their coverage of the storm and its aftermath, and discusses the telling disparity between how news outlets presented African Americans and white people affected by the tragedy. This video is part of Topic’s Frame by Frame series, in which ‘celebrated photojournalists explore images of the people and events that helped shape the American experience, and discuss how working with photographs impacts them personally’.

Director: Yvonne Michelle Shirley

Producer: Jennie Bedusa

Website: Topic

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When a deafblind woman from Denmark met a woman like her in Nepal

‘I dreamt I was the deafblind woman we visited … And there was no information, nothing, just isolation.’

Sensory experience, cultural differences and degrees of privilege collide in a meeting between two deafblind women: Dorte Eriksen from Denmark and Budhi Maya Gurung from Nepal. Commissioned by the Danish Deafblind Association to document a trip to help deafblind people in Nepal, the Mexican-Danish filmmaker Isabel Morales Bondy found herself filming the two women’s remarkable encounter. A Woman Like Me is assembled entirely without spoken words. Instead, viewers get to see as if through Eriksen’s eyes and hear only what the director does as witness to the women’s language of touch. Acknowledging the opacity of this experience, Morales Bondy chose not to subtitle the women’s meeting, prompting profound questions about language, communication and human connection. 

Director: Isabel Morales Bondy

Producer: Lars Feldballe Petersen

Aeon for Friends

Find out more

To fight a nearby nuclear plant, 11-year-old Sam must win his own ethical battle

Childhood offers no shortage of potential anxieties, from fitting in with peers, to succeeding in school, to dealing with parents. Eleven-year-old Sam’s hopes, fears and interests, however, are rather different from those of most of his classmates: Hinkley Point C, Britain’s largest nuclear power plant is going up next door to his home in Somerset, England, and Sam is deeply concerned about its effect on the environment – especially the marine life off the coast. Between discussing the the potential for a surprise war or the values of veganism with a friend, Sam is consumed by his dream of becoming a marine biologist. Perhaps he can protect the fish threatened by the plant? The problem is, the private schools that Sam thinks might best set him up for the profession are enormously expensive, and his parents don’t have the money. A conundrum arises for the exceedingly ethical Sam: Should he accept a contribution from the company that owns the plant to help his family offset the high cost of school? Constructed with nuance and care by the Copenhagen-based director Ömer Sami, Sam and the Plant Next Door (2019) is an affectionate exploration of a precocious childhood and what it’s like to have strong convictions at odds with the world around you.

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