Close

Become a Friend of Aeon to save articles and enjoy other exclusive benefits

Support Aeon
×
Newsletter Privacy Policy

Aeon email newsletters are issued by the not-for-profit, registered charity Aeon Media Group Ltd (Australian Business Number 80 612 076 614). This Email Newsletter Privacy Statement pertains to the personally identifying information you voluntarily submit in the form of your email address to receive our email newsletters

More generally, when visiting the Aeon site you should refer to our site Privacy Policy here.

This Email Newsletter Privacy Statement may change from time to time and was last revised 5 June, 2018.

By clicking ‘Subscribe’ you agree to the following:

  • We will use the email address you provide to send you daily and/or weekly email (depending on your selection). We also send occasional donation requests and, no more than once a year, reader surveys.
  • The email address/es you provide will be transferred to our external marketing automation service ‘MailChimp’ for processing in accordance with their Privacy Policy and Terms. We use MailChimp to issue our newsletters, donation requests and reader surveys. We have no control over, and assume no responsibility for, the conduct, practices or privacy policies of MailChimp.

Unsubscribing

You can change your mind at any time by clicking the ‘unsubscribe link’ in the footer of emails you receive from us, or by contacting us at support@aeon.co 

If you want to review and correct the personal information we have about you, you can click on ‘update preferences’ in the footer of emails you receive from us, or by contacting us at support@aeon.co

Security of your personal information

We are committed to ensuring that your information is secure. We have taken reasonable measures to protect information about you from loss, theft, misuse or unauthorised access, disclosure, alteration and destruction. No physical or electronic security system is impenetrable however and you should take your own precautions to protect the security of any personally identifiable information you transmit. We cannot guarantee that the personal information you supply will not be intercepted while transmitted to us or our marketing automation service Mailchimp.

Sharing your personal information 

We will not disclose your personal information except: (1) as described by this Privacy Policy (2) after obtaining your permission to a specific use or disclosure or (3) if we are required to do so by a valid legal process or government request (such as a court order, a search warrant, a subpoena, a civil discovery request, or a statutory requirement). We will retain your information for as long as needed in light of the purposes for which is was obtained or to comply with our legal obligations and enforce our agreements.

Access to your personal information

You may request a copy of the personal information we hold about you by submitting a written request to support@aeon.co We may only implement requests with respect to the personal information associated with the particular email address you use to send us the request. We will try and respond to your request as soon as reasonably practical. When you receive the information, if you think any of it is wrong or out of date, you can ask us to change or delete it for you.


Ansel Adams: photography with intention

6 minutes

Birth control your own adventure

5 minutes

The acrobatic fly

3 minutes

What the psychic saw

5 minutes

Sketches

2 minutes

What can Ansel Adams’s enduring photography teach us in the age of Instagram?

With an oeuvre that’s both innovative and enduring, the US photographer Ansel Adams is almost universally regarded as a master of his craft and a pioneer in photographic art. Because his black-and-white landscapes have become so ubiquitous – commonly found on postcards, computer backgrounds and doctor’s office walls – it’s easy to take the beauty of his images for granted. But as Evan Puschak (also known as The Nerdwriter) shows in this video essay, there’s perhaps never been a better time to re-examine the careful, deliberate approach Adams took to his work.

Video by The Nerdwriter

Period drama: one woman’s journey through birth control

The multitude of female birth-control products on the market hardly means there’s a perfect option for everyone. From the combined oral contraceptive (commonly known as the Pill), to the IUD (intrauterine device, aka the coil) to the NuvaRing, the availability of choice can mask one major downside: for some, the side-effects of birth control are a problem in their own right. In her short film Birth Control Your Own Adventure, the Pakistani-American filmmaker Sindha Agha presents her personal journey through all the options, starting at age 11, when she was prescribed the Pill for the pain of endometriosis. Agha relates her struggle to find the least-worst option with witty visuals and a vivid design. In its intimate detail, the short is especially enlightening for those who don’t menstruate, prompting the question: what about male birth-control products?

Director: Sindha Agha

Feet of strength! Spotlight on the amazing agility of houseflies

Pesky though they might be, houseflies are remarkable biological specimens – strong enough to carry up to half their own body weight and, as you’ve likely noticed when trying to swat one, exceptionally quick and nimble. For his 1910 short The Acrobatic Fly, the pioneering British naturalist and filmmaker F Percy Smith put the strength and dexterity of houseflies on display, filming one as it juggled items including a cork and a miniature barbell. Perhaps most impressive, however, is a sequence that features a fly rotating a ball with another fly balancing atop it, like a tiny circus act. For more slightly creepy early film fun from F Percy Smith, watch To Demonstrate How Spiders Fly.

Director: F Percy Smith

The psychic, the skeptic and the life-and-death prophecy that came true

When the US filmmaker Matthew Palmer’s mother was 28 and childless, she received an unsettling prediction from a psychic: she would have a son, and her husband would die when their son was 13, but it would be ‘okay’. Uninterested in having children and skeptical of psychics, she wrote it off for a time. But when she finally did have a son following a nearly fatal and life-altering case of pneumonia, the prediction creeped back into her mind. She then often used the story, half-jokingly, to warn her husband about his smoking habit. And when Palmer was 13, his father died suddenly of cardiac arrest. Constructed from old home videos and phone conversations with his mother, Palmer’s deeply personal film What the Psychic Saw reflects on his father’s death in the context of the uncanny prediction. An unusual meditation on grief, the short offers no easy answer for the psychic’s eerily accurate words, or whether unexpectedly losing a close, beloved family member can ever really feel ‘okay’.

Video by Matthew Palmer

Friendly tower cranes, grinning street signs, and other adventures in augmented reality

In Sketches, the Russian graphic illustrator and motion designer Vladimir Tomin stitches together a series of short, reality-warping vignettes. Starting with mundane views of streets, stairwells and building façades, Tomin uses visual effects to manipulate each scene in surprising and subversive ways, suggesting a hackable digital universe that can be endlessly manipulated. In our emerging age of deep fakes, it can also be read as a pressing reminder of the power of even relatively simple editing technologies to augment video in convincing ways – or simply as the work of a master of the digital surreal. For more uncanny visual wizardry from Tomin, watch Outside.

Video by Vladimir Tomin

What can Ansel Adams’s enduring photography teach us in the age of Instagram?

With an oeuvre that’s both innovative and enduring, the US photographer Ansel Adams is almost universally regarded as a master of his craft and a pioneer in photographic art. Because his black-and-white landscapes have become so ubiquitous – commonly found on postcards, computer backgrounds and doctor’s office walls – it’s easy to take the beauty of his images for granted. But as Evan Puschak (also known as The Nerdwriter) shows in this video essay, there’s perhaps never been a better time to re-examine the careful, deliberate approach Adams took to his work.

Video by The Nerdwriter

Get Aeon straight
to your inbox
Join our newsletter
Aeon is not-for-profit
and free for everyone
Make a donation
Essay/
Cultures & Languages
Who decides what words mean

Bound by rules, yet constantly changing, language might be the ultimate self-regulating system, with nobody in charge

Lane Greene

Essay/
Stories & Literature
What War of the Worlds did

The uncanny realism of Orson Welles’s radio play crystallised a fear of communication technology that haunts us today

Benjamin Naddaff-Hafrey