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Nick Marsh is a British forensic photographer and his work could make the difference between a conviction and an acquittal. That’s why he must approach a crime scene with the shrewd mindset of a criminal investigator, the practical know-how of a forensic scientist and the integrity of a careful, honest photojournalist. A straightforward portrait of a distinctive line of work, David Beazley’s film is also a compelling argument for the value of experts in the age of the amateur.
Director: David Beazley
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Technology and the self
The commodified childhood – scenes from two sisters’ lives in the creator economy
14 minutes
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Fairness and equality
There’s a dirty side to clean energy in the metal-rich mountains of South Africa
10 minutes
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Food and drink
The passage of time is a peculiar thing in a 24-hour diner
14 minutes
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Anthropology
For an Amazonian female shaman, ayahuasca ceremonies are a rite and a business
30 minutes
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Gender
A filmmaker responds to Lars von Trier’s call for a new muse with a unique application
16 minutes
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Computing and artificial intelligence
Why large language models are mysterious – even to their creators
8 minutes
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Spirituality
Through rituals of prayer, a monk cultivates a quietly radical concept of freedom
4 minutes
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Fairness and equality
‘To my old master’ – a freed slave answers the request to return to his old plantation
7 minutes
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Design and fashion
A ceramicist puts her own bawdy spin on the folk language of pottery
14 minutes