Become a Friend of Aeon to save articles and enjoy other exclusive benefits

Make a donation
×
Newsletter Privacy Policy

Aeon email newsletters are issued by the not-for-profit, registered charity Aeon Media Group Ltd (Australian Business Number 80 612 076 614). This Email Newsletter Privacy Statement pertains to the personally identifying information you voluntarily submit in the form of your email address to receive our email newsletters

More generally, when visiting the Aeon site you should refer to our site Privacy Policy here.

This Email Newsletter Privacy Statement may change from time to time and was last revised 18 May, 2020.

By clicking ‘subscribe’ you agree to the following:

  • We will use the email address you provide to send you daily and/or weekly emails (depending on your selection). We also send occasional donation requests and, no more than once a year, reader surveys.
  • The email address/es you provide will be transferred to our external marketing automation service ‘MailChimp’ for processing in accordance with their Privacy Policy and Terms. We use MailChimp to issue our newsletters, donation requests and reader surveys. We have no control over, and assume no responsibility for, the conduct, practices or privacy policies of MailChimp.

Unsubscribing

You can change your mind at any time by clicking the ‘unsubscribe’ link in the footer of emails you receive from us, or by contacting us at support@aeon.co 

If you want to review and correct the personal information we have about you, you can click on ‘update preferences’ in the footer of emails you receive from us, or by contacting us at support@aeon.co

Security of your personal information

We are committed to ensuring that your information is secure. We have taken reasonable measures to protect information about you from loss, theft, misuse or unauthorised access, disclosure, alteration and destruction. No physical or electronic security system is impenetrable however and you should take your own precautions to protect the security of any personally identifiable information you transmit. We cannot guarantee that the personal information you supply will not be intercepted while transmitted to us or our marketing automation service Mailchimp.

Sharing your personal information 

We will not disclose your personal information except: (1) as described by this Privacy Policy (2) after obtaining your permission for a specific use or disclosure or (3) if we are required to do so by a valid legal process or government request (such as a court order, a search warrant, a subpoena, a civil discovery request, or a statutory requirement). We will retain your information for as long as needed in light of the purposes for which is was obtained or to comply with our legal obligations and enforce our agreements.

Access to your personal information

You may request a copy of the personal information we hold about you by submitting a written request to support@aeon.co We may only implement requests with respect to the personal information associated with the particular email address you use to send us the request. We will try and respond to your request as soon as reasonably practical. When you receive the information, if you think any of it is wrong or out of date, you can ask us to change or delete it for you.

Ryan

14 minutes

Lee Smolin: space and time

9 minutes

Another Hayride

18 minutes

Why do we, like, hesitate when we, um, speak?

6 minutes

Phrenology: the weirdest pseudoscience of them all?

4 minutes

Artistic genius and fragility intersect in this surreal, Oscar®-winning animation

Widely regarded as a maverick genius of animation, the Canadian artist Ryan Larkin (1943-2007) seemed destined for a successful career after breaking out with the influential short films Walking (1968) and Street Musique (1972). However, addiction and emotional trauma eventually brought his creative life to a halt, leaving him begging for money on the streets of Montreal. This experimental animation from 2004 finds fellow animator Chris Landreth interviewing Larkin about his brief, storied animation career before confronting him about his alcoholism. Rendered in a world where emotional scars manifest themselves as surreal physical aberrations, Ryan is a strange and striking glimpse into Larkin’s life, including the sometimes fraught relationship between creativity and mental health. Ryan won the 2005 Academy Award for Best Animated Short Film. Following the film’s completion, Larkin revived his animation career before dying from cancer in 2007.

Director: Chris Landreth

Producers: Steven Hoban, Marcy Page, Mark Smith

Website: National Film Board of Canada

Time is fundamental, space is emergent – why physicists are rethinking reality

From Isaac Newton’s ‘absolute space’ and ‘absolute time’, which envisioned the two phenomena as fundamental and separate, to Albert Einstein’s ‘spacetime’, which condensed them into a single concept, the relationship between space and time has been the mystery driving fundamental physics for more than four centuries. And over the past several decades, some physicists, including Lee Smolin of the Perimeter Institute for Theoretical Physics in Canada, have come to believe that the fabric of reality is perhaps due to be torn into yet again. In this interview with Robert Lawrence Kuhn for the series Closer to Truth, Smolin discusses how developments in quantum mechanics have left physicists with questions that special relativity can’t seem to accommodate, and why the solution might be a conception of reality in which time is fundamental, and space emergent.

Video by Closer to Truth

The controversial New Age guru who believed self-love healed all – even AIDS

For gay men living with HIV and AIDS in the 1980s, their diagnosis was often accompanied by both fear for their lives and shame for having contracted a highly stigmatised disease. In Another Hayride, the US filmmaker Matt Wolf explores how the US self-help guru Louise Hay (1926-2017) gained an ardent following among HIV-positive gay men in Los Angeles, and then among people experiencing trauma throughout the country, by teaching that they could heal themselves through self-love. The short documentary is built from archival footage – the US talk show hosts Oprah Winfrey and Phil Donahue make cameos – and narration from the US writer and minister David Ault, who attended Hay’s weekly ‘Hayride’ support groups. Through his portrait, Wolf offers a nuanced recollection of Hay and her gospel of New Age healing, in which extraordinary compassion and magical thinking both played central roles.

Director: Matt Wolf

Producer: Sam Bisbee

Ums, likes and y’knows get no respect – but they’re vital to conversation

If you’ve ever listened to a recording of yourself speaking, the frequency with which you used fillers such as ‘um’, ‘uh’, ‘like’ and ‘y’know’ might have grabbed your attention – and perhaps your scorn. Indeed, these verbal hesitations have been viewed as undesirable since the days of ancient Greece and, more recently, the American linguist Noam Chomsky characterised them as ‘errors’ irrelevant to language. But could there be more to these utterances than initially meets the ear? In this short animation from TED-Ed, Lorenzo García-Amaya, assistant professor of Spanish at the University of Michigan, reveals how ‘filled pauses’ can give conversation partners important context clues, communicate emphasis, help tether related thoughts together, and so much more.

Video by TED-Ed

Writer: Lorenzo García-Amaya

Animator: Yael Reisfeld

The ‘dangerous nonsense’ of phrenology shows how pseudoscience takes hold

In the 19th century, the Viennese physiologist Franz Joseph Gall placed a formidable thumb on the scales of the ‘nature vs nurture’ debate when he proposed a simple – and, as we now know, false – solution to the age-old conundrum. Everything you need to know about someone’s character, he argued, could be predicted by the shape of different brain regions – and by extension, the contours of their head. That phrenology, as it became known, was built on conjecture rather than empiricism was clear to a great many scientists of the era. Still, it caught on in the public consciousness, and often with sinister consequences. This animation from BBC Reel provides a brief history of phrenology, shedding light on why facile solutions often gain traction over rigorous empiricism, and how pseudoscience can sometimes open gateways for the real thing.

Video by BBC Reel

Artistic genius and fragility intersect in this surreal, Oscar®-winning animation

Widely regarded as a maverick genius of animation, the Canadian artist Ryan Larkin (1943-2007) seemed destined for a successful career after breaking out with the influential short films Walking (1968) and Street Musique (1972). However, addiction and emotional trauma eventually brought his creative life to a halt, leaving him begging for money on the streets of Montreal. This experimental animation from 2004 finds fellow animator Chris Landreth interviewing Larkin about his brief, storied animation career before confronting him about his alcoholism. Rendered in a world where emotional scars manifest themselves as surreal physical aberrations, Ryan is a strange and striking glimpse into Larkin’s life, including the sometimes fraught relationship between creativity and mental health. Ryan won the 2005 Academy Award for Best Animated Short Film. Following the film’s completion, Larkin revived his animation career before dying from cancer in 2007.

Director: Chris Landreth

Producers: Steven Hoban, Marcy Page, Mark Smith

Website: National Film Board of Canada

Aeon is not-for-profit
and free for everyone
Make a donation
Get Aeon straight
to your inbox
Join our newsletter

Photo by Adnan Abidi/Reuters

Essay/
Mental health
The seed of suffering

The p-factor is the dark matter of psychiatry: an invisible, unifying force that might lie behind a multitude of mental disorders

Alex Riley

Photo by Matthew Horwood/Getty

Essay/
Knowledge
Philosophy with children

Kids don’t just say ‘the darndest things’. Playful and probing, they can be closer to the grain of life’s deepest questions

Jana Mohr Lone