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In his essay ‘The Possible and the Real’ (1930), the French philosopher Henri Bergson argued that perhaps the most foundational question of metaphysics – ‘Why is there something instead of nothing?’ – is poorly conceived, reflecting a mistaken view that ‘there is less in the idea of void than in the idea of fullness’. Building from this starting point he suggests – to put it all a bit simply – a metaphysics sprung instead from the fullness of the evolving reality in which we ceaselessly find ourselves. This experimental video essay from Epoché Magazine pairs text excerpted from ‘The Possible and the Real’ with archival imagery and original music. Drawing out Bergson’s themes in unexpected ways, the short gives Bergson’s influential words a curious new life nearly a century after they were first published.
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Spirituality
Through rituals of prayer, a monk cultivates a quietly radical concept of freedom
4 minutes
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Art
Radical doodles – how ‘exquisite corpse’ games embodied the Surrealist movement
15 minutes
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Ethics
Plato saw little value in privacy. How do his ideas hold up in the information age?
5 minutes
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Animals and humans
Are zoos and natural history museums born of a desire to understand, or to control?
57 minutes
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Virtues and vices
Why Jean-Jacques Rousseau and Adam Smith were divided on the virtues of vanity
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Beauty and aesthetics
In art, the sublime is a feedback loop, evolving with whatever’s next to threaten us
9 minutes
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Bioethics
What a 1970 experiment reveals about the possibility and perils of ‘head transplants’
6 minutes
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Beauty and aesthetics
Can you see music in this painting? How synaesthesia fuelled Kandinsky’s art
10 minutes
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Knowledge
Why it takes more than a lifetime to truly understand a single meadow
11 minutes