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In his essay ‘The Possible and the Real’ (1930), the French philosopher Henri Bergson argued that perhaps the most foundational question of metaphysics – ‘Why is there something instead of nothing?’ – is poorly conceived, reflecting a mistaken view that ‘there is less in the idea of void than in the idea of fullness’. Building from this starting point he suggests – to put it all a bit simply – a metaphysics sprung instead from the fullness of the evolving reality in which we ceaselessly find ourselves. This experimental video essay from Epoché Magazine pairs text excerpted from ‘The Possible and the Real’ with archival imagery and original music. Drawing out Bergson’s themes in unexpected ways, the short gives Bergson’s influential words a curious new life nearly a century after they were first published.
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Philosophy of mind
‘Am I not at least something?’ A surreal dive into Descartes’s Meditations
3 minutes
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History
Hags, seductresses, feminist icons – how gender dynamics manifest in witches
13 minutes
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Art
Background music was the radical invention of a trailblazing composer
17 minutes
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Metaphysics
What do past, present and future mean to a philosopher of time?
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Art
Radical doodles – how ‘exquisite corpse’ games embodied the Surrealist movement
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Ethics
Plato saw little value in privacy. How do his ideas hold up in the information age?
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Virtues and vices
Why Jean-Jacques Rousseau and Adam Smith were divided on the virtues of vanity
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Beauty and aesthetics
In art, the sublime is a feedback loop, evolving with whatever’s next to threaten us
9 minutes
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Political philosophy
Beyond the veil – what rules would govern John Rawls’s ‘realistic Utopia’?
6 minutes