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Collotype was a popular commercial photographic process at the turn of the 20th century, but it is nearing extinction as more practical printing technologies become widespread and affordable worldwide. Unlike modern digital printers, collotype copies almost completely preserve the look and colour depth of originals, but, because the process requires a high level of expertise, demand for the technology is nearly zero. The German director Fritz Schumann’s film, A Story of Ink and Steel, profiles Osamu Yamamoto, a printer working at the world’s only, and perhaps last, colour collotype company.
Director: Fritz Schumann
video
Animals and humans
Are zoos and natural history museums born of a desire to understand, or to control?
57 minutes
video
Archaeology
What’s an ancient Greek brick doing in a Sumerian city? An archeological investigation
16 minutes
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Family life
The migrants missing in Mexico, and the mothers who won’t stop searching for them
21 minutes
video
Ecology and environmental sciences
The tree frog die-off that sparked a global mystery – and revealed a dark truth
15 minutes
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Beauty and aesthetics
In art, the sublime is a feedback loop, evolving with whatever’s next to threaten us
9 minutes
video
History
From Afghanistan to Virginia – the Muslims who fought in the American Civil War
22 minutes
video
Family life
One family’s harrowing escape from postwar Vietnam, told in a poignant metaphor
10 minutes
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Fairness and equality
Visit the small Texas community that lives in the shadow of SpaceX launches
14 minutes
video
Film and visual culture
Our world has very different contours when a millimetre is blown up to a full screen
8 minutes