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Collotype was a popular commercial photographic process at the turn of the 20th century, but it is nearing extinction as more practical printing technologies become widespread and affordable worldwide. Unlike modern digital printers, collotype copies almost completely preserve the look and colour depth of originals, but, because the process requires a high level of expertise, demand for the technology is nearly zero. The German director Fritz Schumann’s film, A Story of Ink and Steel, profiles Osamu Yamamoto, a printer working at the world’s only, and perhaps last, colour collotype company.
Director: Fritz Schumann
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Gender
A catchy tune explains the world’s ‘isms’ – according to your mum doing the laundry
5 minutes
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Architecture
A 3D rendering of the Colosseum captures its architectural genius and symbolic power
17 minutes
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Human rights and justice
Surreal, dazzling visuals form an Iranian expat’s tribute to defiance back home
10 minutes
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Language and linguistics
Do button-pushing dogs have something new to say about language?
9 minutes
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Art
When East met West in the images of an overlooked, original photographer
9 minutes
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Values and beliefs
Why a single tree, uprooted in a typhoon, means so much to one man in Hanoi
7 minutes
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Consciousness and altered states
‘I want me back’ – after a head injury, Nick struggles with his altered reality
7 minutes
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Making
On the Norwegian coast, a tree is transformed into a boat the old-fashioned way
6 minutes
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Animals and humans
One man’s quest to save an orphaned squirrel, as narrated by David Attenborough
14 minutes