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Collotype was a popular commercial photographic process at the turn of the 20th century, but it is nearing extinction as more practical printing technologies become widespread and affordable worldwide. Unlike modern digital printers, collotype copies almost completely preserve the look and colour depth of originals, but, because the process requires a high level of expertise, demand for the technology is nearly zero. The German director Fritz Schumann’s film, A Story of Ink and Steel, profiles Osamu Yamamoto, a printer working at the world’s only, and perhaps last, colour collotype company.
Director: Fritz Schumann
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War and peace
Two Ukrainian boys’ summer unfolds just miles from the frontlines
22 minutes
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Nature and landscape
California’s landscapes provide endless inspiration for a woodcut printmaker
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Love and friendship
Never marry a man you love too much, and other views on romance in Sierra Leone
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Engineering
Can monumental ‘ice stupas’ help remote Himalayan villages survive?
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Virtues and vices
Why Bennie tried to disappear, and what happened when he was found decades later
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History of technology
Curious singles and tech sceptics – what ‘computer dating’ looked like in 1966
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Animals and humans
Join seabirds as they migrate, encountering human communities along the way
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Stories and literature
Two variants of a Hindu myth come alive in an animated ode to Indian storytelling
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Technology and the self
The commodified childhood – scenes from two sisters’ lives in the creator economy
14 minutes