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Collotype was a popular commercial photographic process at the turn of the 20th century, but it is nearing extinction as more practical printing technologies become widespread and affordable worldwide. Unlike modern digital printers, collotype copies almost completely preserve the look and colour depth of originals, but, because the process requires a high level of expertise, demand for the technology is nearly zero. The German director Fritz Schumann’s film, A Story of Ink and Steel, profiles Osamu Yamamoto, a printer working at the world’s only, and perhaps last, colour collotype company.
Director: Fritz Schumann
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Music
The peculiar beauty of a song caught between composition and improvisation
3 minutes
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Rituals and celebrations
A beginner’s guide to a joyful Persian tradition of spring renewal and rebirth
3 minutes
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Politics and government
How it looked to Afghan women to see the Taliban return to power
33 minutes
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Love and friendship
Love looks a bit different for a chain-smoking couple in a small apartment
11 minutes
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Biography and memoir
Passed over as the first Black astronaut, Ed Dwight carved out an impressive second act
13 minutes
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The ancient world
The six priestesses who kept the flame of ancient Rome alight at risk of death
5 minutes
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Engineering
A close-up look at electronic paper reveals its exquisite patterns – and limitations
9 minutes
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Architecture
West Africa was once an architectural laboratory. Is it time for a revival?
12 minutes
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Work
A Swedish expat in the Philippines wonders: what’s up with people sleeping at work?
14 minutes