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Collotype was a popular commercial photographic process at the turn of the 20th century, but it is nearing extinction as more practical printing technologies become widespread and affordable worldwide. Unlike modern digital printers, collotype copies almost completely preserve the look and colour depth of originals, but, because the process requires a high level of expertise, demand for the technology is nearly zero. The German director Fritz Schumann’s film, A Story of Ink and Steel, profiles Osamu Yamamoto, a printer working at the world’s only, and perhaps last, colour collotype company.
Director: Fritz Schumann
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Environmental history
In Kazakhstan, ‘atomic lakes’ still scar the landscape decades after Soviet nuclear tests
13 minutes
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Architecture
A 3D rendering of the Colosseum captures its architectural genius and symbolic power
17 minutes
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Language and linguistics
Do button-pushing dogs have something new to say about language?
9 minutes
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Making
On the Norwegian coast, a tree is transformed into a boat the old-fashioned way
6 minutes
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History of technology
Curious singles and tech sceptics – what ‘computer dating’ looked like in 1966
6 minutes
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Computing and artificial intelligence
Why large language models are mysterious – even to their creators
8 minutes
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Design and fashion
A ceramicist puts her own bawdy spin on the folk language of pottery
14 minutes
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Ethics
Plato saw little value in privacy. How do his ideas hold up in the information age?
5 minutes
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Information and communication
‘Astonished and somewhat terrified’ – Victorians’ reactions to the phonograph
36 minutes