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Collotype was a popular commercial photographic process at the turn of the 20th century, but it is nearing extinction as more practical printing technologies become widespread and affordable worldwide. Unlike modern digital printers, collotype copies almost completely preserve the look and colour depth of originals, but, because the process requires a high level of expertise, demand for the technology is nearly zero. The German director Fritz Schumann’s film, A Story of Ink and Steel, profiles Osamu Yamamoto, a printer working at the world’s only, and perhaps last, colour collotype company.
Director: Fritz Schumann
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Sports and games
Havana’s streets become racetracks in this exhilarating portrait of children at play
5 minutes
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Spirituality
Through rituals of prayer, a monk cultivates a quietly radical concept of freedom
4 minutes
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Fairness and equality
‘To my old master’ – a freed slave answers the request to return to his old plantation
7 minutes
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Design and fashion
A ceramicist puts her own bawdy spin on the folk language of pottery
14 minutes
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Animals and humans
Villagers struggle to keep their beloved, endangered ape population afloat
19 minutes
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Art
Radical doodles – how ‘exquisite corpse’ games embodied the Surrealist movement
15 minutes
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Language and linguistics
Why Susan listens to recordings of herself speaking a language she no longer remembers
5 minutes
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Ethics
Plato saw little value in privacy. How do his ideas hold up in the information age?
5 minutes
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Information and communication
‘Astonished and somewhat terrified’ – Victorians’ reactions to the phonograph
36 minutes