It’s our 6th birthday!

Donate now

Help keep us free

Close

Become a Friend of Aeon to save articles and enjoy other exclusive benefits

Support Aeon
×
Newsletter Privacy Policy

Aeon email newsletters are issued by the not-for-profit, registered charity Aeon Media Group Ltd (Australian Business Number 80 612 076 614). This Email Newsletter Privacy Statement pertains to the personally identifying information you voluntarily submit in the form of your email address to receive our email newsletters

More generally, when visiting the Aeon site you should refer to our site Privacy Policy here.

This Email Newsletter Privacy Statement may change from time to time and was last revised 5 June, 2018.

By clicking ‘Subscribe’ you agree to the following:

  • We will use the email address you provide to send you daily and/or weekly email (depending on your selection). We also send occasional donation requests and, no more than once a year, reader surveys.
  • The email address/es you provide will be transferred to our external marketing automation service ‘MailChimp’ for processing in accordance with their Privacy Policy and Terms. We use MailChimp to issue our newsletters, donation requests and reader surveys. We have no control over, and assume no responsibility for, the conduct, practices or privacy policies of MailChimp.

Unsubscribing

You can change your mind at any time by clicking the ‘unsubscribe link’ in the footer of emails you receive from us, or by contacting us at support@aeon.co 

If you want to review and correct the personal information we have about you, you can click on ‘update preferences’ in the footer of emails you receive from us, or by contacting us at support@aeon.co

Security of your personal information

We are committed to ensuring that your information is secure. We have taken reasonable measures to protect information about you from loss, theft, misuse or unauthorised access, disclosure, alteration and destruction. No physical or electronic security system is impenetrable however and you should take your own precautions to protect the security of any personally identifiable information you transmit. We cannot guarantee that the personal information you supply will not be intercepted while transmitted to us or our marketing automation service Mailchimp.

Sharing your personal information 

We will not disclose your personal information except: (1) as described by this Privacy Policy (2) after obtaining your permission to a specific use or disclosure or (3) if we are required to do so by a valid legal process or government request (such as a court order, a search warrant, a subpoena, a civil discovery request, or a statutory requirement). We will retain your information for as long as needed in light of the purposes for which is was obtained or to comply with our legal obligations and enforce our agreements.

Access to your personal information

You may request a copy of the personal information we hold about you by submitting a written request to support@aeon.co We may only implement requests with respect to the personal information associated with the particular email address you use to send us the request. We will try and respond to your request as soon as reasonably practical. When you receive the information, if you think any of it is wrong or out of date, you can ask us to change or delete it for you.


Pitching up

15 minutes

This adorable sea slug is a sneaky little thief

4 minutes

The human voice

3 minutes

Mobilize

4 minutes

Frames of reference

27 minutes

How Gaelic sports became a cultural binding force in Ireland’s most diverse town

Ballyhaunis is a traditional farming town in County Mayo in the west of Ireland with a population just over 3,000. Due to an immigration influx over the past several decades, it also happens to be the most ethnically diverse town in the country, with the majority of children speaking a language other than English or Gaelic at home. With Irish nationals leaving Ballyhaunis at a record rate following the economic recession, immigration has largely kept the community afloat. Pitching Up is an endearing portrait of the small town, focused on how introducing immigrants and first-generation Irish to traditional Gaelic sports has helped them integrate into the community, while at the same time preserving the region’s distinctive culture. Uplifting without being unduly idealistic, the film offers a more optimistic view of immigration and cultural integration in Europe than is usually seen in the reactive news cycle.

Director: Maurice O’Brien

Website: Morning Top Films

How Gaelic sports became a cultural binding force in Ireland’s most diverse town

Ballyhaunis is a traditional farming town in County Mayo in the west of Ireland with a population just over 3,000. Due to an immigration influx over the past several decades, it also happens to be the most ethnically diverse town in the country, with the majority of children speaking a language other than English or Gaelic at home. With Irish nationals leaving Ballyhaunis at a record rate following the economic recession, immigration has largely kept the community afloat. Pitching Up is an endearing portrait of the small town, focused on how introducing immigrants and first-generation Irish to traditional Gaelic sports has helped them integrate into the community, while at the same time preserving the region’s distinctive culture. Uplifting without being unduly idealistic, the film offers a more optimistic view of immigration and cultural integration in Europe than is usually seen in the reactive news cycle.

Director: Maurice O’Brien

Website: Morning Top Films

Far from sluggish: the remarkable sea creature that weaponises its dinner

Nudibranchs, also commonly known as sea slugs, are a group of snail-like sea invertebrates. Despite appearing more or less defenceless, nudibranchs broadcast their whereabouts with their flamboyant, brightly coloured bodies. From an evolutionary standpoint, it might seem like a curious move, but their luminous skin actually serves as a warning to would-be predators to let them know they’d make for a dangerous meal. While some nudibranchs accumulate toxins and other defensive chemicals in their bodies, others – like the star of this film – have an even craftier method of warding off enemies. This remarkable short from the science and nature documentary series Deep Look details the clever way that some nudibranchs protect themselves by stealing defences from stinging sea animals known as hydroids. You can read more about this video at KQED Science.

Video by KQED Science

Producer and Writer: Josh Cassidy

Narrator and Writer: Lauren Sommer

‘My God! Where’s the human voice?’ A charming reflection on our pre-recorded world

From to Siri to subways to customer service calls, pre-recorded and robotic voices are becoming an increasingly inescapable part of the human experience. In this short animation from StoryCorps, the US author, historian and broadcaster Studs Terkel (1912–2008) reflects on this trend away from human interaction and toward disembodied sentence fragments. Recalling a scene from a tram ride at Atlanta airport with exceeding wit and charm, he considers the richness of the human voice, and what we lose when it’s replaced.

Director: The Rauch Brothers

Producer: Lizzie Jacobs

From canoes to cities, a frenetic celebration of the power of indigenous Canadians

In her short film Mobilize, Caroline Monnet – a Canadian filmmaker and artist of French and Algonquin origin – uses archival documentary footage to honour the restless diligence of Canada’s indigenous people. Given access to more than 700 films from the National Film Board of Canada for the project, Monnet crafts a fervent visual collage that spans the country’s rural north, where indigenous craftsmen are seen fashioning canoes, to scenes from skyscraper construction in the urban south. According to Monnet, in making the film, she sought to explore the trajectory of her own family’s history, as well as to simply bombard viewers with ‘images of indigenous people kicking ass on screen’. Heightened by a feverish score from the Inuk artist Tanya Tagaq, Monnet’s film offers a deeply original and personal perspective on the indigenous Canadian experience.

Director: Caroline Monnet

Score: Tanya Tagaq

Producer: Anita Lee

Website: National Film Board of Canada

This clever and stylish 1960 film is the most fun you’ll ever have at a physics lecture

Directed by the pioneering UK documentarian Richard Leacock, Frames of Reference is a slick and surreal dive into physics fundamentals and, in particular, why everything is indeed relative. Produced for high-school physics classes, the 1960 film features the physics professors Patterson Hume and Donald Ivey of the University of Toronto explaining, through an intertwined series of lectures and clever demonstrations, how frames of reference shape perspective. Using rotating sets, camera tricks and a visual style that suggests the film noir of Alfred Hitchcock, this is perhaps the most peculiarly entertaining half-hour physics lecture you’ll ever have.

Director: Richard Leacock

Visual restoration by Jeff Quitney with audio from the 1960 original, found at the Internet Archive.

License: CC BY-SA 3.0

Get Aeon straight
to your inbox
Join our newsletter
Aeon is not-for-profit
and free for everyone
Make a donation
Essay/
Social Psychology
Our age of horror

In this febrile cultural moment filled with fear of the Other, horror has achieved the status of true art

M M Owen

Essay/
Music
Musical pleasures

We know music is pleasurable, the question is why? Many answers have been proposed: perhaps none are quite right

Roger Mathew Grant