Get curated editors’ picks, peeks behind the scenes, film recommendations and more.
A staple of American cinema since the release of the silent film The Great Train Robbery in 1903, the Western arguably became its defining genre with the release of Stagecoach in 1939 – the first of nine Western collaborations between the iconic duo of director John Ford and actor John Wayne. For the next several decades, Westerns evolved with the times, embracing an American mythos of freedom and opportunity before filmmakers such as Sergio Leone began using the language of the genre to reflect the more cynical mood of the Vietnam era. Part of a film-analysis series from the Museum of Modern Art (MoMA) in New York, this video essay by the US film critic Dave Kehr discusses how the Western helped to define the language of American film until modern filmmakers began adopting Western signifiers for shorthand, self-reference and parody, leaving the genre itself more or less in the dust.
Commentary: Dave Kehr
Website: The Museum of Modern Art
video
Earth science and climate
The only man permitted in Bhutan’s sacred mountains chronicles humanity’s impact
22 minutes
video
Art
‘If you’re creative, why can’t you create a solution?’ One artist’s imaginative activism
17 minutes
video
The ancient world
An ancient Roman’s hilarious (and perhaps relatable) response to a social snub
2 minutes
video
Death
A hunter’s lyrical reflection on the humbling business of being mortal
6 minutes
video
Love and friendship
After his son’s terrorist attack, Azdyne seeks healing – and his granddaughter
25 minutes
video
Art
More than breathtaking, ‘The Birth of Venus’ signalled an aesthetic revolution
19 minutes
video
Childhood and adolescence
Striking shadow puppetry illuminates a skater kid’s memories of Boy Scout camp
12 minutes
video
Values and beliefs
A Zen Buddhist priest voices the deep matters he usually ponders in silence
5 minutes
video
Rituals and celebrations
Meet the entrepreneur whose business is crafting perfect peak experiences
12 minutes