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At the University of Massachusetts Amherst, the Digital Life initiative endeavours to create high-quality 3D digital models of living organisms – especially those on the brink of extinction. This modern Noah’s Ark is just one of the ways humanity is digitising a world in ecological peril. But what does this impulse, combined with the rise of ‘simulation theory’, say about us? Is the idea that we can digitally preserve and simulate biology, or that we already exist in a computer-simulated reality, merely a way to comfort ourselves as we drive our world further toward ecological collapse? In a collage pulled together from the world of digitisation, the experimental short Our Ark ponders whether these notions of parallel simulated worlds are a means of offering ourselves ‘solace in the face of paralysis’.
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Film and visual culture
Our world has very different contours when a millimetre is blown up to a full screen
8 minutes
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War and peace
A frontline soldier’s moving account of the fabled ‘Christmas truce’ of 1914
12 minutes
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Bioethics
What a 1970 experiment reveals about the possibility and perils of ‘head transplants’
6 minutes
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History of technology
Replicating Shakespearean-era printing brings its own dramas and comedy
19 minutes
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Animals and humans
The wild tale of a young animal keeper, an angry tiger and a torn circle net
10 minutes
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Technology and the self
Why single Chinese women are freezing their eggs in California
24 minutes
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Beauty and aesthetics
Can you see music in this painting? How synaesthesia fuelled Kandinsky’s art
10 minutes
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The ancient world
Petty squabbles and bloody battles – the life of an ancient Roman soldier
18 minutes
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Astronomy
The remarkable innovations inspired by our need to know the night sky
5 minutes