The British philosopher and social theorist Jeremy Bentham was, for nearly two decades, consumed by how to construct the ideal building for institutional supervision – and in particular, a better prison. Published in 1791, Bentham’s plans for a ‘panopticon’ building (from the Greek for all-seeing) proposed what he believed to be a cheaper, more efficient and more humane alternative to the prisons of his time. While today the panopticon is more often thought of as a metaphor for power and surveillance than as a flawless prison layout, Bentham believed his proposal was highly practical, applicable ‘without exception, to all establishments whatsoever, in which … a number of persons are meant to be kept under inspection’. This short video from Myles Zhang, a PhD student specialising in US urban history at the University of Michigan, crafts a precise digital construction of a panopticon prison based on Bentham’s plans, with the design’s broader commentaries on punishment, power and surveillance sitting in the subtext. You can read more about Zhang’s project here.
Via Open Culture
Director: Myles Zhang
video
Family life
One family’s harrowing escape from postwar Vietnam, told in a poignant metaphor
10 minutes
video
Film and visual culture
Our world has very different contours when a millimetre is blown up to a full screen
8 minutes
video
Bioethics
What a 1970 experiment reveals about the possibility and perils of ‘head transplants’
6 minutes
video
History of technology
Replicating Shakespearean-era printing brings its own dramas and comedy
19 minutes
video
Animals and humans
The wild tale of a young animal keeper, an angry tiger and a torn circle net
10 minutes
video
Beauty and aesthetics
Can you see music in this painting? How synaesthesia fuelled Kandinsky’s art
10 minutes
video
Knowledge
Why it takes more than a lifetime to truly understand a single meadow
11 minutes
video
War and peace
‘She is living on in many hearts’ – Otto Frank on the legacy of his daughter’s diary
12 minutes
video
Art
Why Diego Velázquez needed a lifetime to paint his enigmatic masterpiece
31 minutes