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From his family workshop in the town of Pátzcuaro in the Mexican state of Michoacán, Mario Agustín crafts religious icons and lavishly adorned plates from organic materials. Using local plants, mineral soil, cochineal insects and even cow urine to create unique materials and brilliant pigments, his crafts combine indigenous techniques dating back as far as 500 BCE with methods from the colonial era to create distinctly Mexican works of art. Part of the Mexican director Mariano Rentería Garnica’s Mexican Handcraft Masters short documentary series on artisans in Michoacán, this short portrait captures how Agustín keeps inherited knowledge alive through his work.
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Human rights and justice
Surreal, dazzling visuals form an Iranian expat’s tribute to defiance back home
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Language and linguistics
Do button-pushing dogs have something new to say about language?
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Art
When East met West in the images of an overlooked, original photographer
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Values and beliefs
Why a single tree, uprooted in a typhoon, means so much to one man in Hanoi
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Consciousness and altered states
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Making
On the Norwegian coast, a tree is transformed into a boat the old-fashioned way
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Animals and humans
One man’s quest to save an orphaned squirrel, as narrated by David Attenborough
14 minutes
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Computing and artificial intelligence
A future in which ‘artificial scientists’ make discoveries may not be far away
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History
Hags, seductresses, feminist icons – how gender dynamics manifest in witches
13 minutes