1999 AD

26 minutes

The wolf dividing Norway

29 minutes

The evolution of cynicism

5 minutes

Unreal city

6 minutes

Kidnapper ants

5 minutes

Smart homes, bountiful oceans and casual sexism: the future as envisaged from 1967

‘Yes, life will be richer, easier, healthier as space-age dreams come true.’

In 1967, the Ford Motor Company (then known as Philco-Ford) released the short film 1999 AD, which imagined daily life for a US family in the not-so-distant future. Screened today, the film is a fascinating and humbling glimpse at the ever-fraught business of predicting the future. As the viewer watches the Shore family – mother, father and young son – the film’s forecast of life at the turn of the 21st century stuns both with its prescience and its shortsightedness, all served up with a side of folksy, 1960s-style cheese. While many of the technological flourishes showcased – including instant communication, heaps of screen time and daily fitness tracking – ring true today, the film fails to imagine the broader cultural or environmental shifts to come. Particularly jarring is the relationship between the mother, a homemaker who dutifully prepares meals and takes on the majority of parenting duties, and her husband, a breadwinning astrophysicist who keeps a tight watch on his wife’s spending.

Also notable is the film’s sheen of techno-utopian optimism, in which future oceans aren’t polluted or threatened by rising temperatures, but teeming with a biodiverse array of creatures primed for the human plucking. Much more Leave It to Beaver than Black Mirror, the film exemplifies how, through the lens of capitalism, products and progress never exacerbate but gently whisk away problems, as well as the feedback loop of invention and commercial depiction through which corporations have helped to shape modern history.

Via Open Culture

Director: Lee Madden

The divisive debate over hunting Norway’s endangered wolves

During the 1960s, wolves nearly vanished from Norway’s landscape due to overhunting; now, there are no more than 70 wolves left in the country. Although the wild predators – known to prey on farmers’ livestock – received protection under law in 1971, the debate between hunters and conservationists over the fate of the remaining endangered population has been heated and divisive ever since. The Wolf Dividing Norway shows how this debate culminates in December 2019, as groups on both sides of the conflict wait to hear whether the government will authorise the annual winter wolf hunt. With unprecedented access to remote communities at the heart of the debate, the Norwegian documentary filmmaker Kyrre Lien humanises the frustration coming from both sides, providing a sensitive look at one of Norway’s most polarising topics.

Director: Kyrre Lien

Cynicism was born when Diogenes rejected materialism and manners

Plato once described the philosopher Diogenes of Sinope as ‘a Socrates gone mad!’ It’s a good comparison. Like Socrates, Diogenes gave the bird to respectable society. He undermined status and manners in the 4th century BCE with his bottomless reserve of shamelessness and irreverence, opting to live on the streets like a stray dog. But, of course, there was a method to his madness. In this short video by TED-Ed, the Irish philosopher William D Desmond explains how Diogenes lived an authentic and ascetic life in accordance with nature, and how in doing so he founded the philosophy of cynicism – an iconoclastic tradition that continues to illuminate and infuriate today.

Video by TED-Ed

Director: Avi Ofer

Writer: William D Desmond

How an augmented reality app transformed London into an immersive art gallery

If you ever hopped on the Pokémon GO craze, you’ll have an inkling of how digital technology is increasingly capable of adding rich new slices to everyday life. The public exhibition ‘Unreal City’, which ran from 8 December 2020 to 5 January 2021 on the River Thames in London – and is, until 9 February 2021, available for at-home viewing – similarly superimposed digital layers on to reality, but with an aim to transform the city into an immersive augmented reality (AR) art gallery. An initiative from the AR app Acute Art and Dazed Media, the exhibition featured 36 digital sculptures from artists around the globe, and was arranged as a riverside walking tour at a time when indoor museums had become mostly inaccessible due to COVID-19. Featuring images of some of the sculptures and words from artists including Olafur Eliasson, Tomás Saraceno, Cao Fei and KAWS, this trailer for the ‘Unreal City’ exhibition is an exciting glimpse into the potential for AR as it continues to transform cities in strange and surprising ways.

Director: Kate Villevoye

Website: Dazed

Incredible footage captures the ants that transform other species into loyal servants

You might assume that a creature incapable of feeding itself would have a one-way ticket off the food chain and into the dustbin of extinction. But some ant species with mandibles that are ill-equipped for eating have developed a clever – if not quite mutual – means of finding sustenance and perpetuating. Known as ‘kidnapper’ or ‘slave-making’ ants, these parasitic creatures raid the nests of other ant species, capture their young and carry them to their home nest. Using scents to keep the new arrivals oblivious to the fact that they’re far from home, the kidnappers deploy their captors to tend to their young, forage for their food, and even chew and feed it to them in a process known as trophallaxis. Captured in stunning high definition by the science documentary series Deep Look, this short video tracks red kidnapper ants in the Sierra Nevada mountain range in California as they raid, kidnap and brainwash the young from a nearby black ant species’ nest. You can learn more about this video at KQED Science.

Video by KQED Science

Producer and Writer: Josh Cassidy

Narrator and Writer: Lauren Sommer

Smart homes, bountiful oceans and casual sexism: the future as envisaged from 1967

‘Yes, life will be richer, easier, healthier as space-age dreams come true.’

In 1967, the Ford Motor Company (then known as Philco-Ford) released the short film 1999 AD, which imagined daily life for a US family in the not-so-distant future. Screened today, the film is a fascinating and humbling glimpse at the ever-fraught business of predicting the future. As the viewer watches the Shore family – mother, father and young son – the film’s forecast of life at the turn of the 21st century stuns both with its prescience and its shortsightedness, all served up with a side of folksy, 1960s-style cheese. While many of the technological flourishes showcased – including instant communication, heaps of screen time and daily fitness tracking – ring true today, the film fails to imagine the broader cultural or environmental shifts to come. Particularly jarring is the relationship between the mother, a homemaker who dutifully prepares meals and takes on the majority of parenting duties, and her husband, a breadwinning astrophysicist who keeps a tight watch on his wife’s spending.

Also notable is the film’s sheen of techno-utopian optimism, in which future oceans aren’t polluted or threatened by rising temperatures, but teeming with a biodiverse array of creatures primed for the human plucking. Much more Leave It to Beaver than Black Mirror, the film exemplifies how, through the lens of capitalism, products and progress never exacerbate but gently whisk away problems, as well as the feedback loop of invention and commercial depiction through which corporations have helped to shape modern history.

Via Open Culture

Director: Lee Madden

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