One way to deconstruct ‘There Will Be Blood’

7 minutes

To see how editing shapes our experience of cinema, count the shots in ‘There Will Be Blood’

Unless a filmmaker is aiming for overtly stylised storytelling, well-executed film-editing generally remains unobtrusive, allowing settings, characters and narratives to be front and centre. Still, the structural effect of editing is exceptionally important to storytelling, determining where viewers focus their attention and for how long. By selecting a shot framed in a particular way, or even just lingering on a scene for an extra split-second, editorial choices shape how viewers perceive characters’ mindsets, motivations and relationships. Using the critically acclaimed film There Will Be Blood (2007), this video essay from the US filmmaker Evan Puschak (also known as The Nerdwriter) explores how simply counting a film’s cuts can help a careful viewer determine what filmmakers or editors are trying to convey with the edits that structure their films.

For more on how film-editing works, watch the Aeon Video original Strange Continuity, on the brain science behind film cuts.

Video by The Nerdwriter

Get Aeon straight
to your inbox
Join our newsletter
Aeon is not-for-profit
and free for everyone
Make a donation
Stories & Literature
Ghosts on the shore

In Japan, ghost stories are not to be scoffed at, but provide deep insights into the fuzzy boundary between life and death

Christopher Harding

Stories & Literature
Sweet artifice

Dandies in the age of decadence favoured synthetics over nature, nowhere more so than in perfumery’s fabulous counterfeits

Catherine Maxwell